Expelled gone missing...

Posted 19 May 2008 by

According to the charts at Box Office Mojo the data for expelled for the weekend have gone missing. Although we know that in the 5th week, the theatre count drop almost 50 % from 402 to 210. In other news, the United Methodist Church passed several relevant resolutions, one apologizing repenting for eugenics, and the other one expressing their displeasure with intelligent design and public schools

THEREFORE BE IT RESOLVED that the General Conference of the United Methodist Church go on record as opposing the introduction of any faith-based theories such as Creationism or Intelligent Design into the science curriculum of our public schools.

No updates on the lawsuit by Yoko Ono against Premise Media. And despite the efforts by the Discovery Institute and Premise Media it was reported that

Despite the fanfare over Expelled in Missouri, the antievolution House Bill 2554 has died The score so far: “academic freedom” antievolution bills have died in Florida, Alabama, and Missouri, and South Carolina’s looks poised to die as well.

The study was published in the Journal Science. It's a good week for science and faith. As the commentary in the St Louis Post Dispatch observes

House Bill 2554, sponsored by Rep. Robert Wayne Cooper, R-Camdenton, claims to support academic freedom for teachers, and to help students "develop critical thinking skills." Those are the latest fig leaves used by creationists in their long war against science and evolution.

In other news, relevant to some ID creationists who are wondering about the bird dinosaurs link the article mentions that

A remarkable new genetic study published last week has demonstrated that the closest living relative of the giant T. rex are birds — specifically, chickens and ostriches — rather than reptiles like alligators and lizards. The most amazing thing about last week's report isn't that relationship, which had been fairly well established based on the similarity of dinosaur and bird bones. Rather, it's that scientists were able to find and remove genetic material from an animal that has been dead for at least 68 millennia. No one believed that soft tissue could be naturally preserved for so long a time.

68 millennia...more like 68 million years

"These results match predictions made from skeletal anatomy, providing the first molecular evidence for the evolutionary relationships of a non-avian dinosaur," says co-author Chris Organ, a postdoctoral researcher in organismic and evolutionary biology at Harvard University. "Even though we only had six peptides -- just 89 amino acids -- from T. rex, we were able to establish these relationships with a relatively high degree of support. With more data, we'd likely see the T. rex branch on the phylogenetic tree between alligators and chickens and ostriches, though we can't resolve this position with currently available data."

140 Comments

Greg Esres · 19 May 2008

Wow! 62.8% gave "Expelled" an A.

Dracil · 19 May 2008

Err... the data seems to be right there. It's #30 and barely made $100k. Think it'll have to struggle to reach $8m total for its run.

Thomas · 19 May 2008

The funny thing is that 68 millennia is still ten times the age of the Earth.

PvM · 19 May 2008

I had checked the daily numbers for the weekend, did not think to look at the weekend data via the movie tab.

Rank 30 Gross $102,690 hange -68.8%Avg$489 Total $7,499,617

ellazimm · 20 May 2008

Expelled seems to have a half-life of about a week.

Frank J · 20 May 2008

The funny thing is that 68 millennia is still ten times the age of the Earth.

— Thomas
You're way off. Today is Tuesday, so that would make it about 5 million times the age of the Earth. (=68000*365/5) ;-)

Kevin B · 20 May 2008

Greg Esres said: Wow! 62.8% gave "Expelled" an A.
Well, the commentors here gave it an "A". They then gave it an "S" and went on to spell out a rude word that fits in perfectly with the title "Expelled" and also succinctly summarises the commentors' general opinion of the film's makers.

Chad · 20 May 2008

I had an email exchange with Mike Fair ( about the South Carolina anti-science bill ) and I've included the text below. I hope I didn't make a bad showing, but I attempted to put forth my thoughts clearly.

-------------------------------------------
My first email:
[quote]
"A BILL TO AMEND THE CODE OF LAWS OF SOUTH CAROLINA, 1976, BY ADDING SECTION
59-29-240 SO AS TO ALLOW TEACHERS TO HELP STUDENTS UNDERSTAND, ANALYZE,
CRITIQUE, AND REVIEW THE *HISTORICAL* STRENGTHS AND WEAKNESSES OF *THE
HOLOCAUST* AND *HOLOCAUST DENIAL* IN AN OBJECTIVE MANNER."

This is the idiocy you encourage in any context. Science is the actual
method for which we analyze, critique, and review a field of scientific
research/theory/hypothesis/finding etc. There is no more need to 'allow'
teachers to teach scientific methodology, then there is need to 'allow'
teachers to teach history. As of yet, intelligent design both as a claimed
field of scientific inquiry and the proponents of, have never produced any
scientific research/findings/information/hypothesis/theories. They have
never published any peer review publications, they have never provided a
defined hypothesis for which to be tested within the scope of the scientific
method, they have never produced any viable theory from a hypothesis, they
have never produced any research, and they have never produced any new
information in any regard in any scientific field of inquiry. The plea for
'critical thinking' is made without the understanding of the lack of merit
of what intelligent design actually is, an anti-scientific religion.

The only thing they have done is lied to the general public about science
and education. They have emotionally attacked anyone they percieve as in
conflict with their claims with what is essentially hate speech. They also
have attempted to push a specific christian religious interpretation/agenda
upon non-christians and other christians alike by attempting to slip their
anti-scientific information into public schools.

Chad
--------------------------------------

Here is the first response from Mr. Fair

Not intended to offend. Dr. Rchard Sternmberg would disagree with soome of your thoughts. Earned PHD in Biological Evolution, Harvard I think, fired from the Smithsonian because he challenged the flaws Darwin's theory. He is one of many. This , he ,is related to South Carolina.
I am not a scientist as you know. But I can read. I can think (I know you believe I am limited in that regard) I can criticize as well and can be criticized. Why not allow and protect sceince profs, who are your intellectual and edcucationally prepared peers to do the same?
Mike
------------------------------------
Here is my response to the above:
Dear Sir,

Richard Sternberg was never fired from any position he held. You have been lied too, Sternberg resigned from the Proceedings of the Biological Society of Washington 6 months prior. While at that publication he failed to comply with normal peer review standards when attempting to publish a paper. Namely, the paper itself had nothing to do with the actual topic of the publication but it also contained no new information/research. It was simply a plagiarized paper from a fellow creationist that Sternberg helped 'slip in'. Sternberg also was not 'fired' from the Smithsonian, infact his status was extended in 2006 to 3 more years. He never lost his access to the specimens he requires for his research and he never was 'unemployed' from a position that was unpaid in the first place ( that he still holds anyway ). His title changed, but it was neither a demotion nor a promotion. In the greatest leap of dishonesty yet, he turned what was trivial office rearrangements into 'persecution'. Needless to say, any cursory search would have revealed the lie for what it is.

Again, what exactly happened to Sternberg again if he wasn't fired and nothing bad happened to him?

Your question:

Why not allow and protect sceince profs, who are your intellectual and edcucationally prepared peers to do the same?

I find it hard to translate your question, if you mean that professors need to be protected - I'm going to ask protected from what? What you are doing is creating a red herring to avoid addressing the real issue here. Namely, what exactly is science and objective research. Also, you cannot cite an honest case were someone was 'persecuted' as a professor or educator. The third issue, is to what extent we allow a non-subject to be repeated in a class that has nothing to do with the subject at hand.

A. Science is literally an objective methodological system of analysis. It is composed of several steps meant to draw out any objective bias for the purpose of determining the best answer with the best information. In the lack of information, it is all to possible to say,"I don't know" or concentrate on hypothesis to explain the unexplained. Another important part is the falsifiability of the claim being made and whether or not it can be tested. A hypothesis is essentially a theory that isn't a theory, as it hasn't yet gone through the rigors of repeatability, experimentation, prediction, and etc. Once it has done so it becomes a 'scientific theory' On a side note, no creationist ( ID is same thing ) have ever produced any research/hypothesis/theories. Not a single one.

B. No actual cases of persecution really exist, all the ones cited in "Expelled" omit important facts or ( like in the case of Sternberg ) are blatantly dishonest. Creationist and ID'ers are often made fun of, but if thats the best you can actually come up with then thats not actually 'persecution'.

C. Creationist are made fun of because they are ignoring science, scientific methodology, and bringing mythology into the science lab. Just like a Holocaust denier ignores historical standards of research, constructs logical fallacies, and simply lies. The same can be said for individuals that claim 'flat earth','UFO','Ghost', etc. I must also point out that if a teacher is hired to teach 'geology', then why shouldn't they be fired for teaching 'flat earth'. "Flat Earth" isn't in the subject, and it is NOT scientifically supported. The analogy is EXACTLY the same as creationist/ID to the biological sciences.

A bill like the one suggested is simply an ambiguous attempt to get their anti-science specific religious nonsense into the classroom. Creationism is not science and should not be taught in the science classroom. The bill also allows other nonsense material into the classroom, that relies upon the same ambiguous misinformation.

Chad
----------------------------------

Here is mike's response to that:
Chad,
Your motivations are....., I do not know what motivates you. But you speak with certainty about what I really am trying to do.
Your obvious intolerance is interesting.Why cna't I have an opinion that is not tied to theology. You are certain that I and other 'narrow minded relgious fanatics' must have it our way are we will do what?? I don't get it. Being critical of Darwinism, a theory, is the end game. Where the science leads is up to you and other scientist.
Why be afraid? You are the one being being lied to if you actually beleive what you wrote to me. BTW is Ben Stein a liar and a religoius fanatic as well?
I have not spoken about religious freedoms and anti-Christian bias in academia. That may come but it is not connected to this unless atheistic Darwinists see academic freedom as a risk to their theology. They then would be the ones trying to make a connection not me.
Thanks for the dialogue. I am continuing to learn.
Mike

-------------------------------

My response to the above:
Dear sir,

Honesty and intellectual integrity motivates me. It is the same thing that motivates Kenneth Miller, a biology professor at Brown University. Did I also mention he's a christian? A roman catholic to be specific, but some christians are so intolerant of anything besides their own specific religious denomination that might not consider him to be one. Kenneth Miller is an avid and an outspoken scientist in his field, he often also addresses 'creationism' and 'intelligent design'. He of course is not a 'supporter' of ID or creationism, as ID nor creationism are actually science in any regard. The importance of mentioning Professor Miller has two intentions.

1. Namely, evolutionary science has nothing to say on the existence or non-existence of a god. There is no logical means for which to apply the theory of natural selection as an argument against a supernatural agent of a specific religious belief.

2. I also would like to point out the obvious strawman that both you and the 'expelled' movie creators wish to create. A strawman, is a tactic used in an argument where a fraudulent misrepresentation is used in order to 'strike it down'. The misrepresentation doesn't accurately reflect whatever is being argued against. The strawman is that 'evolution' is 'atheism'. There is also some more misinformation in that 'Darwinism' is used loosely without definition or explanation, then associated to 'atheism' ( without explanation ) and more so the 'biological sciences' with evolution being specific. It is as if the past 150 years of scientific research had never occured. Expelled attempts to do this by selectively interviewing biology scientist that happen to be atheist. They carefully omit interviewing any scientist that is also a religious believer who is not an anti-scientific creationist.

I must also draw out the excellent work of Francis S Collins, an evangelical christian, who worked on the genome project. He of course, as a scientist, fully accepts the biological sciences including what you term,"atheistic-darwinism". He has an excellent book titled,"The Language of God: A Scientist Presents Evidence for Belief." I have read it and although I disagree with his conclusions, I did think it was an excellent if emotive read. He infact began as an atheist from a graduate student and talks about his journey to christian belief. Another example would be Van Til, who used to be a christian presuppositionalist ( which accepts evolution but thats besides the point ) and has since become a 'moderate' christian. He is a fascinating and excellent writer with a fine grasp on logic. ( Did I mention he was a scientist? ) To be honest, Sir, we could go on all day with this. Tens of thousands of biology scientist are infact theist, evolution or 'atheistic darwinism' ( whatever that is ) plays no role and simply does not exist to them.

To illustrate the strawman being constructed:

Mark Mathis, a movie producer and media associate, is also an associate producer for the movie 'Expelled'. When asked why expelled omitted interviewing people like Miller, Collins, Til, or thousands of scientist ( that happen to be theist ) he stated the following:

Mathis: But I would tell you from a, my personal standpoint as somebody who's worked on this project, that Ken Miller would have confused the film unnecessarily. I don't agree with Ken Miller. I think that you, I think that when you look at this issue and this debate, that really there's, there's one side of the line or the other, and you, it's, it's hard to stay, I don't think you can intellectually, honestly, honestly intellectually stand on a line that I don't think exists

You have to ask yourself,"Why would miller confuse the film unnecessarily?" The answer sir, is that it would unnecessarily confuse the strawman being constructed. That is, that 'darwinism leads to atheism' ( which goes undefined in the film and by most creationist ). The interview took place between associates of,"Scientific American" and Mathis himself. The audio and transcripts can be found here:

http://www.sciam.com/article.cfm?id=a-conversation-with-mark-mathis

I must also speak to you as an atheist and a former christian. There is something I still hold as relevant to reality both from when I would have called myself a christian and now that I call myself an atheist. That is,"Thou Shalt Not Bare False Witness." As a christian, it was believed only be the fear or rebuke of a supernatural agent that could torment me for an eternity. It was also assumed that magically I would suffer simply by lying to my fellow man. As an atheist, a lie is not simply a lie against someone else but a lie against myself. It inevitably damages the relationships I build around me, which in turn damage me. It is also a principle that by its act alone, denies reality which in turn in my mind brings us back to 'faith'. Thats not a very nice thing to say about religious belief, but the point is to make an appeal to you on the integrity of information being claimed. In your first reply to me, you cited the Sternberg case - yet not a single thing actually happened to Sternberg. The peer review publication he was with has his resignation letter and he still does what he does at the Smithsonian. Both can be verified as easy as checking yourself:

sternberg.richard@nmnh.si.edu This is Sternberg's email at the smithsonian.

http://www.biolsocwash.org/ This is the publication that Sternberg resigned from in October 2003, which 6 months later he dishonestly bypassed normal peer review standards in order to publish a paper that had nothing to do with the topic of the journal nor contained any actual research. There is a contact list where you can verify this information with them if you like. He resigned 6 months prior, keep that in note. As far as the smithsonian is concerned, he was never fired and never held a paid position. His area and unpaid placement is as of yet, unchanged and has never changed beyond simple administration duties. He was made fun of for his involvement with the peer review scandal, but that was the extent of it. He was never fired and you have infact been suckered ( lied too ).

Moving on:
You cited my 'obvious intolerance', but I'm not sure what you mean by that. Would it be intolerant to keep non-algebra out of an algebra class? How about keeping someone claiming the earth is flat from trying to tell his geology students the same in a public school? Thats definately critical of geology, physics, chemistry, and possibly dozens upon dozens of theories I cannot name by memory alone. Is this the type of 'critical' analysis you want to bring into the public school? Do you realize that in the same ambiguous tones that you defend 'criticism of darwinism' you could equally apply it to any quack-based ideology? How about 'criticism of relativity'? Are we going to start teaching the 'Ether' in the classroom? ( Luminiferous Aether ) as an opposing theory to relativity?

You keep avoiding what I've already pointed out for you, that is what exactly constitutes 'science' and valid 'criticism' of science. In that, you entirely ignore that we already have the establishment that takes a scientific hypothesis and applies the critical analysis to it BEFORE it becomes a theory. Even at that point, the criticism doesn't stop because in science information never stops. We are always learning and with the input of new information we can learn new things. Infact, biology as a field of science, has lots of contention between all kinds of scientist/researchers at virtually all times. They submit publications for peer review, they address the mistakes of experimentation made by others, they research to find new answers for the unexplained/explained, and they constantly apply the scientific method to everything they do. Thats what science is, and without it - its not science.

Unfortunately, we have a problem.

Creationist do not do the 'above', they do not publish peer review publications, they do not do new research, they do not form hypothesis, and they do not take an active role in the scientific community in order to actually bring that 'criticism' to fruition. Thats why I keep pointing this out over and over, because they are not actually doing the one thing that makes science science. That is, objective methodological analysis. So when you ask,"Why be afraid?" I have to point out that within scientific academia, I'm not afraid at all. Creationist never bring anything to the table in that regard. Unfortunately, what I am afraid of is in the public sphere. Where creationist ( who only represent evangelical christians and thats it ) attempt to force their anti-science religious agenda ( and mythology ) into public schools upon non-christians and other christians alike.

We can however point out exactly what they do:

They lie: Richard Sternberg
They misinform: Expelled the movie/Discovery Institute/AiG etc. etc.
They dismiss anyone that disagrees with their unscientific and religious views: Mathis

I'm getting the feeling that by the numerous red herrings and strawman you use against me, that you're not really paying attention to anything I say or do. It is likely, that you percieve me as some 'enemy' of your religion that must be attacked/opposed. My appeal to you is probably falling upon deaf ears. I provided you with the statement that I am infact an atheist, so that you could continue any personal tirade you have against people you can dehumanize and dismiss. Feel free to just take that next step against me or anyone who just happens to not be an evangelical christian creationist in your state.

Thank You,
Chad

This was the last exchange.

Vic · 20 May 2008

Chad, you did great. My hat's off to you. If you were local I'd buy you a beer.

Ravilyn Sanders · 20 May 2008

Chad said: I had an email exchange with Mike Fair ( about the South Carolina anti-science bill ) and I've included the text below. I hope I didn't make a bad showing, but I attempted to put forth my thoughts clearly. This was the last exchange.
Chad, first thanks for taking the time and effort to contact such persons like Mike Fair. I have not taken any such steps and so I don't really feel qualified to give you advice. Please take the following as humble suggestions: 1. Keep the responses short. They are not likely to read lengthy responses. 2. Underplay your side and don't make it easy for him to label you as a fanatic and brush you off. 3. Make him realize that he has been lied to. Even if he does not admit it openly, next time when the Dishonesty Institute's hawkers come around they will get a more critical reception. 4. As PvM posts often here, show how he is making ALL Christians look dumb by taking such anti-science stand. Thanks once again for taking the time and effort to contact such politicians.

Paul. M · 20 May 2008

Any further news on XVIVO's threatened action or Expelled's counter action?

DavidK · 20 May 2008

As of this last weekend expelled was still hanging on in three theaters (one theater chain) in the Seattle area. I'll bet the DI is paying them on the side to keep it running.

raven · 20 May 2008

Expelled seems well on its way to DVD and late night Xian Trinity Broadcasting TV. Where it will join its inspiration, From Darwin to Hitler in endless reruns.

If anything could boomerang on the creos, it would be Expelled. The scientists killed the Jews lie is just too lame to be anything other than ridiculous on a good day, and trivializes and exploits an atrocity on a bad one.

Bad strategy for so called Xians. "We lie a lot and blood libel the foundation of our civilization (science), so god exists." More likely "we just lie a lot for murky political reasons and no one buys it but a few uneducated fanatics."

John Kwok · 20 May 2008

Hi All,

What a relief! "Expelled" is well on its way towards cinematic oblivion. Approximately three weeks ago it stopped screening here in New York City, and now, finally, the rest of the country seems to have grown tired of this pathetic example of cinematic mendacious intellectual pornography.

Regards,

John

P. S. Speaking of mendacious intellectual pornography, I just posted this rebuttal (slightly edited here) to favorite Panda's Thumb IDiot William Wallace, who has been posting too at the new location of Abbie Smith's ERV blog (www.scienceblogs.com/erv):

Dear William Wallace:

Why don't you crawl back from whence you came (Uncommon Dissent) and hang out with your fellow intellectually-challenged IDiots posting there? If you are a descendant of the great William Wallace, then I must say that yours is a family that has literally sunk to the nadir of human intellectual capacity, judging from your frequently bizarre, always inane, posts at Uncommon Dissent and Panda's Thumb.

You have the chutzpah to call me a liar? Why don't you take a real, hard look at yourself in the mirror?

As for someone who is indeed a genuine liar, thief and con artist extraordinaire, I must nominate my "pal" Bill Dembski; an assessment which many would agree with, including not only Abbie Smith, but also my friend Ken Miller, noted Brown University cell biologist and Jerry Coyne, eminent University of Chicago evolutionary geneticist
(whom I had the pleasure of meeting here in New York City at the Rockefeller University evolution symposium on May 1st.). Why?

Here's why:

1) Bill committed the legal equivalent of grand theft larceny against the Dover (PA) school board, by charging them $20,000 for "services rendered" as a potential defense witness, then declining to serve as such when he could not have his private attorney represent him during the 2005 Kitzmiller vs. Dover Area School District trial.

2) Bill had a clip of someone farting associated with his online essay critical of Judge John E. Jones after Jones' historic ruling at the end of the 2005 Kitzmiller vs. Dover trial.

3)Bill contacted the U. S. Department of Homeland Security two years ago, requesting that they investigate eminent University of Texas ecologist Eric Pianka as a "potential bioterrorist".

4) Bill orchestrated a "death threat" campaign against eminent University of Texas ecologist Eric Pianka and the Texas Academy of Sciences.

5) Almost exactly one year ago, Bill, along with his fellow intellectually-challenged Uncommon Dissent pals (including Mike Behe) held an online "roasting" of Johns Hopkins biochemist David Levin, simply because Levin had spotted some errors in Behe's "research".

6) Bill made a rather crude, quite despicable, comparison of notable University of Chicago evolutionary geneticist Jerry Coyne with Herman Munster at Uncommon Dissent last year (Jerry thought that Bill's act was truly a very "low blow".)

7) Bill followed up this bizarre display of infantile behavior with another Uncommon Dissent comparison of distinguished University of California, Berkeley paleobiologist Kevin Padian with Archie Bunker, "rhetorically" asking whether Padian was the "Archie Bunker of evolutionary biology".

8) Bill has admitted at Uncommon Dissent - with ample malicious intent - that he stole a Harvard University cell animation video made by the Connecticut-based video production company XVIVO (This has been noted by others, including Abbie Smith, and David Bolinsky, XVIVO's president, elsewhere online.).

9) Last December, Bill tried to exercise a crude form of censorship against yours truly by asking Amazon.com to delete my harsh, but accurate, review of Bill's latest published example of mendacious intellectual pornography, otherwise known as "The Design of Life" (which I did read, but won't admit how I obtained a copy). He also organized an online smear campaign against me, which IDiot William Wallace has noted in his latest post here.

10) Almost two weeks ago, at Uncommon Dissent, Bill had the gall to whine and to moan about "rich Darwinists" like Charles Darwin, Richard Dawkins, Francisco Ayala and Ken Miller for "making money" off of evolution. He also made the inane observation that we ought to support Intelligent Design since it is a "middle class" idea, whereas evolution is an "upper class" idea. Bill also made the absurd claim that he is a member of the middle class, when the real truth is that he is a graduate of a prestigious Catholic boarding school (Portsmouth Abbey), and had, growing up, a childhood that was far more "upper class" than either mine or Ken Miller's.

William Wallace contends that I have no right to "brag" about my high school alma mater, Stuyvesant High School, but I most certainly do for the following reasons:

1) Stuyvesant is regarded by many as the premier American high school devoted to the sciences, mathematics and technology.

2) Stuyvesant has had many distinguished alumni, not only its four Nobel Prize-winning laureates in the sciences, medicine and economics, but also distinguished scientists like physicists Brian Greene and Lisa Randall, molecular biologist Eric Lander (who lead one of the teams that sequenced successfully the human genome a few years ago), noted historians and economists like Lewis Mumford, Samuel Huntington and Thomas Sowell, political pundit Dick Morris, and famous actors such as James Cagney, Ron Silver, Tim Robbins and Lucy Liu (Best-selling memoirist Frank McCourt isn't a fellow alumnus, but instead, a former, still popular, member of Stuyvesant's faculty.).

3) Stuyvesant's current principal has pledged that Intelligent Design will never be taught there as long as he continues to serve as principal (I made this observation to Bill Dembski in private e-mail correspondence, and his reply was that he knew many Texas high school principals who wanted ID only, not evolution, to be taught in their science classes. Bill couldn't answer at all, when I observed that Stuyvesant's principal also teaches an advanced introductory physics course to one class of entering freshmen, and then, I asked whether any of these principals teach a similar course too.).

Ken Miller, Jerry Coyne, Eugenie Scott, and I are frankly fed up with Bill Dembski's "frat boy antics". If he wishes to be taken seriously, then he'd better start submitting his "research" to peer-reviewed journals, AND act like a responsible adult online.

So, in conclusion, my dear delusional William Wallace, if anyone should be regarded as a liar and hypocrite, it isn't me, but instead, my "pal" Bill Dembski.

Live Long and Prosper (as a DI IDiot Borg drone),

John Kwok

Frank J · 20 May 2008

What a relief! “Expelled” is well on its way towards cinematic oblivion.

— John Kwok
I read that all that means is that it will soon be out on DVDs, which will be peddled wherever they'll sell. But I just had another chilling thought. If fans make bootleg copies, would anyone bother to prosecute?

Olorin · 20 May 2008

here in sunny Minneapolis, "Expelled" was down from an initial 15 screens to 5 screens last weekend. Only one of these was an urban theater; the others were outlying exurbs.

GSLamb · 20 May 2008

Frank J said: If fans make bootleg copies, would anyone bother to prosecute?
Seeing as the worst sentence is to make them watch the film....

Olorin · 20 May 2008

Note that the Missouri "academic freedom" bill was introduced on April Fools' Day.

Well, what did you expect?

Kim · 20 May 2008

Okay, a small overview. What I find most interesting is the amount PER theatre: Here are the numbers:

Apr 18–20: 23, $2,824 per theatre

Apr 25–27: 53, $1,340 per theatre

May 2–4: 58, $1,034 per theatre

May 9–11: 84, $818 per theatre

May 16–18: 101, $423 per theatre

Ravilyn Sanders · 20 May 2008

Kim said: Okay, a small overview. What I find most interesting is the amount PER theatre: Here are the numbers:
Are we playing into their hand somehow? I get this nagging feeling that we are making it a no-lose proposition for the creo-cons. If the film makes tons of money they win money. If it fails, we are providing them with "see how much these evil atheist Darwinists are gloating" fodder for the grist mill. They win some PR points. It is not a scientific battle, it is PR battle, political battle. Wish we could drive a wedge between the rubes who swallow the lies of DI and the con artists who benefit by peddling the lies.

skyotter · 20 May 2008

Ravilyn Sanders said: Wish we could drive a wedge between the rubes who swallow the lies of DI and the con artists who benefit by peddling the lies.
our own Wedge Strategy? neat! *hugs irony*

Draconiz · 20 May 2008

Perhaps we need our own "Argument from authority", opening their eyes to walk the path of knowledge.

Can we use the Pope's infallibility superpower to influence the Catholics? What about the UMC and Francis collins for the Protestants? Another debate with Dawkins would be nice, it would show the viewers that there is no controversy in evolution.

Kim · 20 May 2008

Ravilyn Sanders said: Are we playing into their hand somehow? I get this nagging feeling that we are making it a no-lose proposition for the creo-cons. If the film makes tons of money they win money. If it fails, we are providing them with "see how much these evil atheist Darwinists are gloating" fodder for the grist mill. They win some PR points. It is not a scientific battle, it is PR battle, political battle. Wish we could drive a wedge between the rubes who swallow the lies of DI and the con artists who benefit by peddling the lies.
Nah, they had a score, financial wise only you mind, but I do not see a large ripple effect yet about the content, other than that they get blasted everywhere except when the preach to their own crowd.

David vun Kannon, FCD · 20 May 2008

Are anti-evolution bills always introduced just before a session of the legislature ends? It seems like an awful convenient way to wave the flag of ignorance for the home crowd, safe in the knowledge that it will never have time to pass.

I agree that a per-theater analysis is better than total grosses or rank orderings in a given week. Some on the ID side tried to compare Expelled to An Inconvenient Truth without adjusting for number of theaters, which drops Expelled to about 84th in the all time opening week rankings for documentaries.

Alabama Blue Dot · 20 May 2008

The death of the anti-evolution bill in the Alabama legislature had less to do with its idiocy and more to do with an utterly dysfunctional governing body. I am certain they will be back, because this state has so many intractable problems that the fundamentalists have given up trying to solve them and just play around with creationism instead.

I am glad to hear about the UMC resolution. Although I rarely go to church, when asked I will claim Methodism. They're still not where they should be on homosexuality, but this gives me some hope.

Stacy S. · 20 May 2008

ellazimm said: Expelled seems to have a half-life of about a week.
LoL! I just hope Yoko Ono is able to prevent it from showing up on HBO.

John Kwok · 20 May 2008

As for someone who is indeed a genuine liar, thief and con artist extraordinaire, I must nominate my "pal" Bill Dembski; an assessment which many would agree with, including not only Abbie Smith, but also my friend Ken Miller, noted Brown University cell biologist and Jerry Coyne, eminent University of Chicago evolutionary geneticist (whom I had the pleasure of meeting here in New York City at the Rockefeller University evolution symposium on May 1st.). Why?

Here's why:

1) Bill committed the legal equivalent of grand theft larceny against the Dover (PA) school board, by charging them $20,000 for "services rendered" as a potential defense witness, then declining to serve as such when he could not have his private attorney represent him during the 2005 Kitzmiller vs. Dover Area School District trial.

2) Bill had a clip of someone farting associated with his online essay critical of Judge John E. Jones after Jones' historic ruling at the end of the 2005 Kitzmiller vs. Dover trial.

3)Bill contacted the U. S. Department of Homeland Security two years ago, requesting that they investigate eminent University of Texas ecologist Eric Pianka as a "potential bioterrorist".

4) Bill orchestrated a "death threat" campaign against eminent University of Texas ecologist Eric Pianka and the Texas Academy of Sciences.

5) Almost exactly one year ago, Bill, along with his fellow intellectually-challenged Uncommon Dissent pals (including Mike Behe) held an online "roasting" of Johns Hopkins biochemist David Levin, simply because Levin had spotted some errors in Behe's "research".

6) Bill made a rather crude, quite despicable, comparison of notable University of Chicago evolutionary geneticist Jerry Coyne with Herman Munster at Uncommon Dissent last year (Jerry thought that Bill's act was truly a very "low blow".)

7) Bill followed up this bizarre display of infantile behavior with another Uncommon Dissent comparison of distinguished University of California, Berkeley paleobiologist Kevin Padian with Archie Bunker, "rhetorically" asking whether Padian was the "Archie Bunker of evolutionary biology".

8) Bill has admitted at Uncommon Dissent - with ample malicious intent - that he stole a Harvard University cell animation video made by the Connecticut-based video production company XVIVO (This has been noted by others, including Abbie Smith, and David Bolinsky, XVIVO's president, elsewhere online.).

9) Last December, Bill tried to exercise a crude form of censorship against yours truly by asking Amazon.com to delete my harsh, but accurate, review of Bill's latest published example of mendacious intellectual pornography, otherwise known as "The Design of Life" (which I did read, but won't admit how I obtained a copy). He also organized an online smear campaign against me, which IDiot William Wallace has noted in his latest post at Abbie Smith's blog (www.scienceblogs.com/erv).

10) Almost two weeks ago, at Uncommon Dissent, Bill had the gall to whine and to moan about "rich Darwinists" like Charles Darwin, Richard Dawkins, Francisco Ayala and Ken Miller for "making money" off of evolution. He also made the inane observation that we ought to support Intelligent Design since it is a "middle class" idea, whereas evolution is an "upper class" idea. Bill also made the absurd claim that he is a member of the middle class, when the real truth is that he is a graduate of a prestigious Catholic boarding school (Portsmouth Abbey), and had, growing up, a childhood that was far more "upper class" than either mine or Ken Miller's.

So much for honest, decent, "Christian" behavior from devout "Christian" Bill Dembski, right? These aren't the acts of someone who truly abides by Christ's teachings, but rather, Lucifer's.

Respectfully yours,

John Kwok

Frank J · 20 May 2008

10) Almost two weeks ago, at Uncommon Dissent, Bill had the gall to whine and to moan about “rich Darwinists” like Charles Darwin, Richard Dawkins, Francisco Ayala and Ken Miller for “making money” off of evolution. He also made the inane observation that we ought to support Intelligent Design since it is a “middle class” idea, whereas evolution is an “upper class” idea. Bill also made the absurd claim that he is a member of the middle class, when the real truth is that he is a graduate of a prestigious Catholic boarding school (Portsmouth Abbey), and had, growing up, a childhood that was far more “upper class” than either mine or Ken Miller’s.

— John Kwok
Speaking of hugging irony (skyotter's term, above), Paul Gross, John Derbyshire, Larry Arnhart and I are doing that as the "ultra liberal" Dembski plays the class warfare card.

GumbyTheCat · 20 May 2008

Good riddance to "Expelled", at least until they get past any legal issues (Lennon lyrics, lamely copied animation, etc). Then they'll flood the DVD market. Yay. The evo/creo discussion forums were infested with fundies when "Expelled" firt came out; when the DVD hits the market it'll get even worse... lol

KevinS · 20 May 2008

Kim said: Okay, a small overview. What I find most interesting is the amount PER theatre: Here are the numbers: Apr 18–20: 23, $2,824 per theatre Apr 25–27: 53, $1,340 per theatre May 2–4: 58, $1,034 per theatre May 9–11: 84, $818 per theatre May 16–18: 101, $423 per theatre
More interesting, I think, is comparing the pattern to other actually successful documentaries like all the Roger Moore ones the IDists are crowing about doing as well as. Nearly every other other successful documentary opened in a rather small number of theaters to build some buzz and built to a modest number of theaters over a few weeks. Only a few reach or exceed the number of theaters the Expelled saw at its open. Obviously staying power and a powerful message is more important that release size and artificial buzz. It probably helps to have someone more interesting than Ben Stein running the show as well. Most amusing of all, however, is that based off the huge number of opening theaters, there were basically two possible paths for Expelled to follow. Fahrenheit 9/11 super mega fame and success, or the spectacularly meteoric fall of Tupac:Resurrection. So really, I'm pretty sure we should all have seen this coming. On the plus side, if it can manage to stay in theaters about 3-4 more weeks, it might just squeak by Tupac on all time documentary list and claim the title of highest grossing failed documentary. Plus, if they ask real nice, the preliminary injunction might be lifted and give them a chance to sell a few DVDs before everyone forgets the movie even existed.

Ichthyic · 20 May 2008

John:

don't forget Dembski's "Vise Strategy" (before Dover but after Kansas) where he showed a Darwin Doll with its head being crushed in a vise, and suggested it would be a good thing to put all scientists utilizing evolutionary theory through essentially an inquisition.

I'm sure the original thread about it is still in the archives around here somewhere...

http://pandasthumb.org/archives/2006/12/the-vise-strate.html

http://www.designinference.com/documents/2005.11.Vise_Strategy.pdf

don't know if those links have the memorable image utilized by Dembski on his blog anymore.

kevin stafford · 20 May 2008

Ding Dong the witch is dead?
Perhaps now I can sleep at night.
It was clear to any intelligent thinking human being that this movie was a charade. Even, it seems, the United Methodist Church.
They know that when you roll in a pile of dung, you come out smelling like shit.

Mike O'Risal · 21 May 2008

It may be showing on fewer screens in the US, but a similar film is having some marvelous effects on the people of the Central African Republic. They've defeated witchcraft by watching a movie about Jesus!

I'm sure this is just priming the market for Expelled. It'll do much better in markets where the majority of viewers are likely to believe in black magic.

John Kwok · 21 May 2008

Ichthyic:

Yes, I vaguely recall that, and I forgot how I was alerted to it.

Incidentally, it's been approximately two weeks since Bill's last posting at Uncommon Dissent, and though I won't claim credit for it, I wonder if that has to do with my creation of an Amazon.com science forum entitled "Dembski Rants Against 'Rich Darwinists'" and reminding him that he owes me as compensation for his crude effort at Amazon.com censorship last December (as well as his online smear campaign against me) a near mint to mint Leica M7 rangefinder camera and a Zeiss 25mm Biogon lens, or else I might arrange for him to be "greeted" by Klingons - who will explain why Klingon Cosmology makes more sense than the mendacious intellectual pornography known as Intelligent Design - at each of his future public appearances. I also "encouraged" him to think seriously of returning the $20,000 which he stole from the Dover Area School District board back in 2005, prior to the trial, or else run the risk of being the subject of a new book written by a friend, a journalist who is a New York Times bestselling author.

Regards,

John

stevaroni · 21 May 2008

KevinS notes... Plus, if they ask real nice, the preliminary injunction might be lifted and give them a chance to sell a few DVDs before everyone forgets the movie even existed.

Does anybody know if the injunction is against all further releases or just the current release with the offending material? I can't find a detailed answer, just entertainment webpages mostly filled with fluff. I ask because recutting the (already electronic) master edit for the movie to remove & replace Imagine should be a pretty straightforward task, eliminating at least the proximate objection to a DVD release. On the other hand, Yoko's lawyers would certainly want to hold the DVD hostage to prod along a settlement (not to mention, of course, that the only settlement money to be had might come from DVD revenue, since this pig is probably still in the hole after making, distributing and advertising 1000+ release prints)

Stacy S. · 21 May 2008

This is from the Wall Street Journal law blog ...

"Lawyers from both sides have declined to comment, but Columbia copyright guru Tim Wu told us this: “I don’t think this is a hard case; nor a close case. Playing 15 seconds of a song to criticize it is as fair as fair use gets. With respect to Yoko Ono: if this case isn’t fair use, then copyright law has become censorship law.”

But in the state court PI hearing this morning, Judge Richard Lowe wasn’t nearly as convinced as Professor Wu. Judge Lowe asked Falzone why it was necessary to use Lennon’s actual performance of the song, rather than, say, having Stein say the lyrics himself or flashing the lyrics on the screen. To this, Falzone gave what we thought was a compelling and novel reply. Lennon’s performance, said Falzone, triggers a specific emotional response in the viewer’s mind — i.e. “Maybe Lennon’s right; maybe the world would be better off without religion” — and it’s that response that the film, and its use of “Imagine,” seeks to criticize.

Judge Lowe seemed skeptical, and decided to stay the original TRO pending his ruling, which means that “Expelled,” currently playing in theaters around the country, cannot be reproduced or otherwise distributed."

John Kwok · 21 May 2008

Dear stevaroni,

It's my understanding that the injunction is against screenings of "Expelled" at those cinemas and other venues which were not the original ones on the date of its nationwide release (April 18th).

Regards,

John

Bill Gascoyne · 21 May 2008

kevin stafford said: It was clear to any intelligent thinking human being that this movie was a charade.
Hopefully, you are not under the misapprehension that this was the target market...

raven · 21 May 2008

Tim Wu: Playing 15 seconds of a song to criticize it is as fair as fair use gets.
They aren't criticizing the song in the movie. They are blood libeling science in general and evolution in particular. The movie is called Expelled, not John Lennon was an atheist. They will most likely just take it out if they don't get a quick ruling. Expelled is so bad, such a dismal pile of trash that it isn't going to miss 15 seconds of a stolen song. DVD release is supposed to be in October. I "imagine" that they will end up giving them away like free napkins at Starbucks.

Kim · 21 May 2008

See here the weekly per theatre income for the top 12 political documentaries.
http://farm4.static.flickr.com/3121/2511777858_60ce6b348b.jpg?v=0

See the lonely line at the bottom, that is expelled.

-------------------

The documentaries:

Fahrenheit 9/11

Sicko

An Inconvenient Truth

Bowling for Columbine

Expelled: No Intelligence Allowed

Roger and Me

The Fog of War

The Corporation

Control Room

Why We Fight

No End in Sight

The U.S. Vs. John Lennon

Paul W. · 21 May 2008

Kim, that's a very interesting plot. It'd be more striking on a linear scale, though. The gap between the top 11 and Expelled at 12 would be huge. Plots of cumulative gross would be striking, too.

For those wanting a quick summary, here's my description of Expelled's box office performance:

1. It got a decent open, doing 3 million its first weekend, and 4 million its first full week.

2. For the next three weeks, it decayed exponentially, losing just over half its weekly audience, so it made 4 + 2 + 1 + 1/2 = 7.5 million dollars. If it maintained that exponential loss, it would never break 8 million no matter how long it ran.

3. This last week has been different-it's dropping even faster---screens down by half, and weekend take down more than 2/3 over the previous weekend. It's losing per-screen take and thus screens even faster than before. (They can't stay ahead of the dropping per-screen take by dumping a third of the screens per week anymore. There just aren't enough profitable screens.) It appears to be going from having a half-life of a week to an even faster terminal plummet, so that it won't get most of the rest of the way from 7.5 to 8 million.

Stacy S. · 21 May 2008

I don't see how one could even call it a documentary - it's so full of lies.
It's simply a piece of propaganda.

Stacy S. · 21 May 2008

This just in from the Florida Baptist Witless (Dated tomorrow? May 22nd)
"Legislatures in three states—Louisiana, Michigan and Missouri—are considering academic freedom bills that would give teachers greater protection and freedom in teaching the strengths and weaknesses of Darwinian evolution."
I guess no one told them about Missouri yet :-)

Kim · 21 May 2008

Paul W. said: Kim, that's a very interesting plot. It'd be more striking on a linear scale, though. The gap between the top 11 and Expelled at 12 would be huge. Plots of cumulative gross would be striking, too.
Tried that, but it is not clearer because it gets piled up together.

Andy G · 21 May 2008

"To this, Falzone gave what we thought was a compelling and novel reply. Lennon’s performance, said Falzone, triggers a specific emotional response in the viewer’s mind — i.e. 'Maybe Lennon’s right; maybe the world would be better off without religion' — and it’s that response that the film, and its use of 'Imagine,' seeks to criticize."

Novel? Sure. Compelling? Not even. Seems more like "last ditch effort to come up with something to justify the use of the actual music".

Really, think about it. The same emotional response wouldn't have been evoked if, say, Clay Aiken, Josh Brogan, or Garth Brooks were singing the exact same thing?

And speaking of "emotional responses", I though this was a documentary and that documentarians were supposed to present facts rather than emotionally steer people towards a certain conclusion with non-factual things like music.

Discuss.

fnxtr · 21 May 2008

Looks like the Monty Python sheep sketch:

"Notice how they do not so much fly as plummet".

:-)

Greg du Pillw · 21 May 2008

For those interested, Newsday has reporting of the Yoko Ono Imagine plagiarism case. Ive tried posting the full link here, but unfortunately things hang when I hit preview ... so here's just the highlights

According to lawyer Anthony T. Falzone, "Expelled: No Intelligence Allowed," was set to open in Canada on June 6 and DVD rights needed to be finalized by the end of May for distribution in October. He said an adverse ruling by Stein would mean "you have muzzled the speech of my clients" because they would have to replace the song with other images, losing the chance to make the issue important enough that it could even influence the U.S. presidential campaign.

"If you issue that injunction, you trample on these free speech rights and you put a muzzle on them and you do it in a way that stops them from speaking on this political issue leading up to the election," Falzone said.

If the ruling does not occur fast enough, "it truly jeopardizes the whole Canadian release and DVD date," the lawyer said. (shame!)

Ono has accused the movie's producers of infringing the song's copyrights by using portions of it without her permission, giving the impression that the Lennon family had authorized it.

Dorothy M. Weber, a lawyer for Ono, Sean Lennon, Julian Lennon and EMI Blackwood Music Inc., said the makers of the movie "took away their right to stay no."

She said the defendants _ Premise Media Corp. of Dallas, Rampant Films of Sherman Oaks, Calif., and Rocky Mountain Pictures Inc. of Salt Lake City _ had obtained authorization for the other songs used in the movie, a point the judge noted himself.

"We are not saying the film should stop being shown," she said. "We are talking about a small segment of the film we are asking be removed because it violates our clients' rights."

Falzone said the portion of the song _ "nothing to kill or die for, and no religion too" _ was central to the movie because "it has the most cultural force ... it represents the most popular and persuasive embodiment of this viewpoint that the world is better off without religion."

He added: "What they are criticizing here, your honor, is they're saying that happy, naive feeling you get when you hear the song and think about peace and children and play is dangerous, dangerously naive."

Falzone said the movie suggests "that this absence of religion paves the way for fascism, totalitarianism, Nazism."

"Really, what the film is doing is, it's asking if John Lennon was right and it's concluding he was wrong," the lawyer said.

He said the movie makers did not believe they needed to ask Ono's permission to use a portion of the song because it was not the entire song or enough of it to infringe on the copyright.

"Why would you ask somebody for permission to criticize their work?" he asked. "It's not likely it's going to be granted."

Weber acknowledged that there are instances when portions of songs protected by copyrights can be used without the copyright owner's permission, a legal right known as "fair use."

But, she said, "fair use is not about destroying the other person's market. It's about carving very, very limited exceptions to a copyright proprietor's monopoly."

Source: Newsday www.newsday.com

Stacy S. · 21 May 2008

Greg du Pillw said: ... Ive tried posting the full link here, but unfortunately things hang when I hit preview ... so here's just the highlights
Here's the link... http://www.newsday.com/entertainment/news/wire/sns-ap-imagine-lawsuit,0,1985004.story

Science Avenger · 21 May 2008

Did everyone see John West's little tantrum about the Washington Post piece? They are not good losers. I give it my two cents.

What amazes me is that when you get caught in a scam, you're supposed to distance yourself from it, not stand in the middle of it and scream "I am not a crook!" Do they really think anyone outside the sycophantic circle is going to buy that baloney any more?

Shebardigan · 21 May 2008

Science Avenger said: Do they really think anyone outside the sycophantic circle is going to buy that baloney any more?
Yes.

Greg du Pille · 21 May 2008

Thanks, Stacy S for posting the link. Now I really must brush up my HTML skills and the correct spelling of my own name!

zemblan · 21 May 2008

Here's how I do the math.

Mathis has given the production budget as $3.5M and promotional costs as "multiples" of that. If you take "multiples" to mean "at the very least, twice," that gives total production and promotion investment of a bare minimum of $10.5M.

Now, I'll buy the half-life bit, and let's assume that US box office tops out under $8M. Let's assume that all of that went back to the distributors (almost certainly not true, but maybe true to the first order of magnitude). That still leaves them millions in the hole.

Haha ha HAAA ha ha. Sorry, that just slipped out.

Then there's that pesky legal issue about "Imagine."

Canadian release, planned for June 6? If Judge Stein calls for de-Lennon-ization, then the "Expelled" crew forfeit their long-planned Canadian release date and have to try, after the fact and as the newly edited version becomes available, to find a way to shoehorn their opus in among the very very lucrative blockbusters on the very very full summer screens of the multiplexes despite its demonstrated stinker status. (How much good money, I wonder, are they throwing after bad by publicizing the movie in Canada right now?)

The producers say it would take a month to edit a new, Lennon-less version of the film, by the way.

Worst of all, that month-long re-editing process would, the "Expelled" crew argue, mean that the scheduled October DVD release would also be out of the question, which means that they'll be deprived of their opportunity to speak to the 2008 electorate about this burning issue. (This need seems to come mostly from Michael Moore envy; just as they wanted -- but failed -- to duplicate Michael Moore's box-office success with "Fahrenheit 9/11", they also want to duplicate Moore's October DVD release date, and they may easily fail there too.)

Worse, it renders their multi-million dollar publicity campaign that much more irrelevant as time passes and the very tiny impression that campaign made on the public fades even further.

There's just no two ways about it: sucks to be them. As it says in Ecclesiastes, he who digs a pit shall fall into it, and did these guys ever dig a hole for themselves.

stevaroni · 21 May 2008

Canadian release, planned for June 6? If Judge Stein calls for de-Lennon-ization, then the “Expelled” crew forfeit their long-planned Canadian release date and have to try, after the fact and as the newly edited version becomes available...

And, of course, they can't simply "reuse" US prints, since they will likely have to re-cut at least the reel where Imagine is used. They'll have to re-print one full reel (either 1000 or 2000 feet) for each "version 2" release print, increasing the cost of each release (even if only by a thousand dollars).

Ichthyic · 21 May 2008

deprived of their opportunity to speak to the 2008 electorate about this burning issue.

hmm, an image of a flaming bag on a doorstep comes to mind...

Nigel D · 22 May 2008

Stacy S. said: This is from the Wall Street Journal law blog ... "Lawyers from both sides have declined to comment, but Columbia copyright guru Tim Wu told us this: “I don’t think this is a hard case; nor a close case. Playing 15 seconds of a song to criticize it is as fair as fair use gets. With respect to Yoko Ono: if this case isn’t fair use, then copyright law has become censorship law.” But in the state court PI hearing this morning, Judge Richard Lowe wasn’t nearly as convinced as Professor Wu. Judge Lowe asked Falzone why it was necessary to use Lennon’s actual performance of the song, rather than, say, having Stein say the lyrics himself or flashing the lyrics on the screen. To this, Falzone gave what we thought was a compelling and novel reply. Lennon’s performance, said Falzone, triggers a specific emotional response in the viewer’s mind — i.e. “Maybe Lennon’s right; maybe the world would be better off without religion” — and it’s that response that the film, and its use of “Imagine,” seeks to criticize. Judge Lowe seemed skeptical, and decided to stay the original TRO pending his ruling, which means that “Expelled,” currently playing in theaters around the country, cannot be reproduced or otherwise distributed."
I find this extremely interesting, Stacy. (See, I even spelled your name right this time!) So, their defence rests in "fair use", and they are claiming that they are critiquing the response that Lennon's performance of Imagine evokes. They are not critiquing the actual song itself. Neither are they critiquing Lennon's performance of the song. They are critiquing the response that is evolked in listeners by Lennon's performance. I hope the judge throws them all in jail for taking the mickey (er, I mean, contempt of court).

Nigel D · 22 May 2008

raven said:
Tim Wu: Playing 15 seconds of a song to criticize it is as fair as fair use gets.
They aren't criticizing the song in the movie. They are blood libeling science in general and evolution in particular. The movie is called Expelled, not John Lennon was an atheist. They will most likely just take it out if they don't get a quick ruling. Expelled is so bad, such a dismal pile of trash that it isn't going to miss 15 seconds of a stolen song. DVD release is supposed to be in October. I "imagine" that they will end up giving them away like free napkins at Starbucks.
Except that free napkins at Starbucks serve a purpose.

Nigel D · 22 May 2008

Paul W. said: ... 2. For the next three weeks, it decayed exponentially, losing just over half its weekly audience, so it made 4 + 2 + 1 + 1/2 = 7.5 million dollars. If it maintained that exponential loss, it would never break 8 million no matter how long it ran. ...
Paul, I disagree with your conclusion to point 2. It would reach 8 million if it maintained the same exponential decay rate and if it ran for an infinite length of time. You essentially have an arithmetic progression... 4 + 2 + 1 + 1/2 + 1/4 + 1/8 + 1/16... The sum of this sequence is actually 8.

Nigel D · 22 May 2008

fnxtr said: Looks like the Monty Python sheep sketch: "Notice how they do not so much fly as plummet". :-)
LOL

Paul W. · 22 May 2008

Nigel D,

How is taking "infinite time" different from "never"?

Also, I take "break" to mean "exceed"; you can't exceed what you're asymptotically approaching from below.

So it's, like, never ever.

Paul W. · 22 May 2008

I have to agree with the Expelled folks that their use of Imagine should be considered fair use.

I take Lennon to be one of the targets of their criticism and satire, and I think it's legit to play the actual performance---exactly what Lennon said, exactly the way he said it.

I certainly want the right to use 15-second clips of Ben Stein himself talking, video and all, to criticize Expelled. I'm willing to grant the former to get the latter.

I wouldn't want to have to quote Ben Stein and simply say that he said those things verbatim; I'd want to show him actually saying them himself. More impact that way.

Even if I'm mainly criticizing the ideas, and all the people who share them, I also want to single their heroes out for special, visceral ridicule.

Iconoclasm can be good, and Lennon performing Imagine is an icon that they want to clast. That's fair, even if their heads are entirely up their asses in every other way.

Nigel D · 22 May 2008

Paul W. said: Nigel D, How is taking "infinite time" different from "never"? Also, I take "break" to mean "exceed"; you can't exceed what you're asymptotically approaching from below. So it's, like, never ever.
I took "break" to mean "equal or exceed", and you did specify "no matter how long it ran for". However, your point is taken, because cinema tickets are quantised, so the progression would have to stop to reach a value below the cost of one ticket.

Nigel D · 22 May 2008

Paul W. said: I have to agree with the Expelled folks that their use of Imagine should be considered fair use. I take Lennon to be one of the targets of their criticism and satire, and I think it's legit to play the actual performance---exactly what Lennon said, exactly the way he said it. I certainly want the right to use 15-second clips of Ben Stein himself talking, video and all, to criticize Expelled. I'm willing to grant the former to get the latter. I wouldn't want to have to quote Ben Stein and simply say that he said those things verbatim; I'd want to show him actually saying them himself. More impact that way. Even if I'm mainly criticizing the ideas, and all the people who share them, I also want to single their heroes out for special, visceral ridicule. Iconoclasm can be good, and Lennon performing Imagine is an icon that they want to clast. That's fair, even if their heads are entirely up their asses in every other way.
Except that they don't critique Lennon's song. The film is aimed at the "scientific establishment" (whatever that is). John Lennon is not, and has never been, a scientist. If Ben were to stand there and say "John Lennon's song was rubbish for reasons X and Y and Z" that would be fair use of the song. Does he do this?

Torbjörn Larsson, OM · 22 May 2008

Paul W. said: So it's, like, never ever.
Like, nuh huh. An unbounded progression can't be stopped from reaching its limit. Zeno was wrong. (Perhaps you can define unbounded time as "never" even though the process is well defined. But that seems cheating IMHO.) Of course, if the producers of Expelled is relying on remaining shows to be wherever movies goes when they go to hell, it is an expelled problem.
Nigel D said: cinema tickets are quantised
Interesting. So the Nigel volume is a seat volume, and the Nigel length is around 1.5 hours. But I dunno; how can the Expelled system visibly decohere, if it wasn't a smidgen coherent in the first place?

Torbjörn Larsson, OM · 22 May 2008

Sorry, the previous comment wasn't answering anyone specific, obviously.

And of course I meant to say Nigel time. D'oh!

Stacy S. · 22 May 2008

You are like a detective Nigel! :-)
Nigel D said: So, their defence rests in "fair use", and they are claiming that they are critiquing the response that Lennon's performance of Imagine evokes. They are not critiquing the actual song itself. Neither are they critiquing Lennon's performance of the song. They are critiquing the response that is evolked in listeners by Lennon's performance. I hope the judge throws them all in jail for taking the mickey (er, I mean, contempt of court).
I read the article over and over, looking for something damning. I should have known you would be the one to find it! Honestly, how do you critique an emotion someone is having and even if you could, how do you prove that the emotion they are having supports your case? I hope Ono's lawyers have keyed in on this as well.

stevaroni · 22 May 2008

Nigel D: I disagree with your conclusion to point 2. It would reach 8 million if it maintained the same exponential decay rate and if it ran for an infinite length of time. You essentially have an arithmetic progression…

Ah, but Nigel, given the curve, at some point N(viewers) falls to less than one, forcing us to make a decision. Do we round down to zero, pulling the plug in the name of a justified mercy killing? Do we round up, allowing them one viewer, forced to watch the same drivel day after day till he gets above 1.0 viewings (I vote we use Behe and Dembski at the tail end)? Or do we simply start slicing up IDiots into pieces and stay on the curve? (OK, it's mean, but somehow appealing. Again, I vote we use Behe and Dembski)

Stacy S. · 22 May 2008

Ouch! My brain hurts! :-)
stevaroni said:

Nigel D: I disagree with your conclusion to point 2. It would reach 8 million if it maintained the same exponential decay rate and if it ran for an infinite length of time. You essentially have an arithmetic progression…

Ah, but Nigel, given the curve, at some point N(viewers) falls to less than one, forcing us to make a decision. Do we round down to zero, pulling the plug in the name of a justified mercy killing? Do we round up, allowing them one viewer, forced to watch the same drivel day after day till he gets above 1.0 viewings (I vote we use Behe and Dembski at the tail end)? Or do we simply start slicing up IDiots into pieces and stay on the curve? (OK, it's mean, but somehow appealing. Again, I vote we use Behe and Dembski)

MartinM · 22 May 2008

...you did specify “no matter how long it ran for”.
Which is entirely correct; the interval between any two points in time is finite, by definition.

Paul W. · 22 May 2008

Perhaps you can define unbounded time as “never” even though the process is well defined. But that seems cheating IMHO.
I agree with the former and disagree with the latter. I'm happy saying Zeno's wrong about the arrow. But the arrow only works because of infinitesimal time. I claim without the faintest pretense of proof that "after infinite time" is never. We're not talking about "after an infinite number of infinitesimally small units of time" but "after an infinite number of finite units of time." Big difference, IMHO. (But then, infinity has always confused me.)
And of course I meant to say Nigel time.
No worries. It's all relative.

Torbjörn Larsson, OM · 22 May 2008

MartinM said: Which is entirely correct; the interval between any two points in time is finite, by definition.
I'm not sure where an interval was assumed except by construction, but one can push the bounds on intervals indefinitely. If not there would be problems with limits to infinity, wouldn't it?

Torbjörn Larsson, OM · 22 May 2008

Paul W. said: I'm happy saying Zeno's wrong about the arrow. But the arrow only works because of infinitesimal time.
Again, that would give problems with limits at infinity as I understand it. And I find them very useful at times. :-P

Shebardigan · 22 May 2008

Torbjörn Larsson, OM said: I'm not sure where an interval was assumed except by construction, but one can push the bounds on intervals indefinitely.
Approaching the Y axis from the left in the manner of Zeno (time intervals of 1/2, 1/4, 1/8...) one eventually arrives at an interval equal to the Planck time, and tunnels across the Y axis to the right side. After that, the intervals double at every iteration, and life proceeds as we observe it.

Paul W. · 22 May 2008

Except that they don’t critique Lennon’s song.
Yes, they do. You just don't get the joke, because you don't share conservative presuppositions. To conservatives, Imagine is the atheist version of Kumbayah. Ridiculing people who "hold hands and sing Kumbayah" is a staple of anti-liberal comedy. This is just a slight variant of that joke, using Imagine because it's iconic of atheist and secular humanist soft-headed liberalism. In either case, the joke is that visualizing world peace (etc.) and agreeing we want it doesn't make things better; it just obscures the real conflicts that people are fighting over. Imagine fits perfectly with the stuff P.Z. says in the movie, from that point of view. Given conservative presuppositions, it's actually pretty funny. I got the joke immediately, and thought they scored a point. To them, it's ridiculous to think that eliminating religion (or reducing it to an inconsequential hobby a la PZ) would make the world a better, less conflictual place---religion is all that's keeping the world from going to hell in a handbasket, and they "know" it. They're ridiculing PZ and Dawkins and Lennon and everybody who agrees with them as naive people who don't see the obvious fact that their "solution" would tremendously worsen the problems they claim to be solving.
The film is aimed at the “scientific establishment” (whatever that is). John Lennon is not, and has never been, a scientist. If Ben were to stand there and say “John Lennon’s song was rubbish for reasons X and Y and Z” that would be fair use of the song. Does he do this?
I think this is way off base. The movie is a barrage of culturkampf brickbats. They're not just criticizing the scientific establishment, they're criticizing the liberal, secular, largely humanist establishment. They're ridiculing most people who aren't politically and theologically conservative. That's allowed in satire and social criticism---you criticize everything you can about a mutually-supporting set of beliefs. In this case, the mutually supporting set of beliefs includes evolution, secularism, and atheism. P.Z. is right that those things go together very well. Irreligion and evolutionary thinking go together better than most other combinations of views. The expelled folks are within their fair use rights as critics and satirists to lump them together and blaze away. On that point, I think they did a good job. John Lennon singing Imagine is an icon of the kind of thought they're criticizing, which many conservatives already think is ridiculous. It's the perfect soundtrack to make PZ seem ridiculous. Tying it together with communist oppression---what righties generally perceive as the actual consequence of atheism---is perfect. It's all shameless braindead propaganda for ideas that are false, but that's not illegal, and not something courts should take into account when deciding if it's fair use.

Paul W. · 22 May 2008

Again, that would give problems with limits at infinity as I understand it. And I find them very useful at times. :-P
I think there's an issue of how to translate the vernacular "never." For most people, not happening at any finite time, no matter how large, is indistingishible from never. What would a mere physicist know about that, anyway? :P Anyway, that wasn't the clincher that made me say "never ever." The clincher was that I take "break" to mean "exceed." (Like breaking a record---you don't break a record by equaling it. You break it by exceeding it.) BTW, if anybody posts a dictionary definition showing that they're different senses of "break," and the "exceeding" thing is "wrong" in this case, I will declare an infinitesimal linguistic jihad against them and everyone who even talks like them.

Bill Gascoyne · 22 May 2008

To conservatives, Imagine is the atheist version of Kumbayah.

Except that Kumbayah is in the public domain. You seem to be implying that what conservatives think of a song determines whether or not Yoko Ono gets to exercise her rights. The fact that conservatives think a certain song represents a given set of ideas does not give them the right to declare "fair use" when they use that copyrighted song to represent and criticize those ideas. The criticism is of the ideas, not the song, so I don't see how fair use applies.

phantomreader42 · 22 May 2008

Bill Gascoyne said:

To conservatives, Imagine is the atheist version of Kumbayah.

Except that Kumbayah is in the public domain. You seem to be implying that what conservatives think of a song determines whether or not Yoko Ono gets to exercise her rights. The fact that conservatives think a certain song represents a given set of ideas does not give them the right to declare "fair use" when they use that copyrighted song to represent and criticize those ideas. The criticism is of the ideas, not the song, so I don't see how fair use applies.
Nevertheless, they may be stupid enough to make this argument, as conservative extremists usually just ignore the rights of anyone else when they become inconvenient. Along with ignoring any and all facts.

Paul W. · 22 May 2008

Except that Kumbayah is in the public domain.
Suppose that Kumbayah as a peacenik anthem was associated very strongly with one performer, such as Joan Baez. I think her performance of that song should be fair game for fair use. Or to pick an example from "their side," suppose former Attorney General John Ashcroft was enforcing copyright on his rendition of his god-awful song "let the eagle soar." I'd want it to be fair use for me to use part of a recording of Ashcroft himself singing Ashcroft's very own shitty song, so that I could ridicule it. Ridiculing somebody else's performance of the song just wouldn't be the same. I'd want his rendition, because (a) it's his song, and especially because he is among my targets of ridicule, not just the song and the ideas in it.
You seem to be implying that what conservatives think of a song determines whether or not Yoko Ono gets to exercise her rights.
I think it should be important whether the producers have a reasonable expectation that the target audience will more or less "get" the satire. If the audience can't reasonably be expected the satire or criticism, and can be reasonably expected to just like the song as a song, then there's a problem. The moviemakers are just using a piece of the song as a piece of their musical soundtrack, and that's not okay. In this case, I think that there is a reasonable expectation that much of the audience will "get it," and that that "getting it" adds more to the movie than the nice-piece-of-music factor. The fair use consideration should win out over the unfair use consideration. It's not like they used 15 seconds of "Michelle," to set a romantic mood. They used Imagine as a soundtrack for totalitarianism. That's irony that serves a satirical and critical purpose.
The fact that conservatives think a certain song represents a given set of ideas does not give them the right to declare “fair use” when they use that copyrighted song to represent and criticize those ideas. The criticism is of the ideas, not the song, so I don’t see how fair use applies.
See above, and consider the Ashcroft case. If I use "Let the Eagle Soar" because Aschroft represents the kind of person I'm criticizing, as well as the song providing a good example of the kind of ideology I'm criticizing, that's perfect. That is how critical satire works. You pick good examples of the people and ideas and expressions of those ideas, and you go to town making fun of all three at a whack. The more ridiculous the person and their expression of the idea, the better. Many people seem not to recognize that that is part of the art of satire. I think that the Expelled people recontextualized and transformed that snippet of Imagine in a way that should count as fair use. As a sometime no-budget guerilla media guy, that's the kind of thing I'd like to see clearly established---i.e., that if I use a clip of Ashcroft or Ben Stein to mock those people among others with similar views, it's okay. One of the things that has discouraged me personally from doing more scientific rationalist/atheist propagandizing is the fear of copyright and clearance issues. I'd like there to be a liberal rule about such uses. Even on local cable access, I have to worry about that, and I'm daunted by it.

qedpro · 22 May 2008

Anyone who describes people who accept the theory of evolution as "Darwinists" is a creotard. Mike Fair is a creotard, trying to not look like one.

Torbjörn Larsson, OM · 22 May 2008

Shebardigan said: Approaching the Y axis from the left in the manner of Zeno (time intervals of 1/2, 1/4, 1/8...) one eventually arrives at an interval equal to the Planck time, and tunnels across
A quantized Zeno! So ... if enough philosophers congregate on one place, each possibly with minuscule mass on the scale of things, they would act as a black hole for information? Figures.

Torbjörn Larsson, OM · 22 May 2008

Paul W. said: I think there's an issue of how to translate the vernacular "never." For most people, not happening at any finite time, no matter how large, is indistingishible from never. What would a mere physicist know about that, anyway? :P
Oh no, I have a similar background, now we will never ever resolve this! Or ... wait a minute. Okay, I can agree with this. At least it is better than the vernacular of "an infinitely huge" object or emotion. Btw, I like the concept of an an infinitesimal jihad. This is where all gods-of-the-gaps concepts, such as those behind Expelled, eventually will end up. Major, even infinite, shrinkage ahead!

Andy G · 22 May 2008

Paul W wrote: "I think that the Expelled people recontextualized and transformed that snippet of Imagine in a way that should count as fair use."

Paul, they used, as they admit, a completely unaltered sound recording of the song. How the bleepin' %^&#@ did they "recontexualized and transformed" that (as you say) "snippet".?

Not at all. It wsa not altered in any way. Leans towards not fair use.

OOH! You say the meaning of the words was altered by their magical juxtoposition of images ... OK fine, but that only covers the lyrics, how do you account for fair use of the music?

Anyone?

Nigel D · 23 May 2008

Ay-yi-yi! This is all getting too involved for a poor biochemist to follow.

Paul - OK, they'll never make $8M, even if Excreted - uh, sorry, I mean Expelled - were to run for an unbounded length of time.

Stacy - thanks for the compliment. I'm not sure how deserved it is.

Paul (again) - I can see that you might have a point, although I'm not sure I can agree with it. I think the key thing is how one defines exactly what it is that the relevant segment of the film is critiquing. Not living less than 3,000 miles from a theatre that is showing the film, I cannot go and see it (and I wouldn't want to, in fact). If it is clear that the critique is of Lennon's thoughts pertaining specifically to Imagine, then it could be fair use. However, my understanding is that the critique is sufficiently general that it cannot genuinely be claimed to be a critique of Imagine. Since (if this is correct) the film does not specifically critique the song, then it is not fair use.

Bear in mind also that the producers sought and obtained permission to use all of the other music that is in the film - how is Imagine treated differently?

Paul W. · 23 May 2008

Andy G said: Paul, they used, as they admit, a completely unaltered sound recording of the song. How the bleepin' %^&#@ did they "recontexualized and transformed" that (as you say) "snippet".?
They changed the bottom-line sense of it. In using that audio clip, Expelled! is not selling the same product as Lennon---they're selling the opposite product. They are not trying to cash in on Lennon's message---they're trying to subvert it.
OOH! You say the meaning of the words was altered by their magical juxtoposition of images ... OK fine, but that only covers the lyrics, how do you account for fair use of the music?
They were playing the song, not just the music. They didn't leave the words out. Lennon was a singer-songwriter; what he produced was songs that rely on a combination of words and music. I think it should be legit to subvert a whole song---not just the lyrics, but the whole expression of the ideas, including words, music, and any images (say, in a music video). Fair use should include that. Remember that as a "message" guy---and Lennon was definitely a message guy, not just an apolitical artist---Lennon exploited the combination of words and music to create an effect. If subverting somebody else's message is legitimate, that should include the right to subvert they way they try to get that message across. In prose, it's okay to quote people verbatim. You don't have to paraphrase them. One reason is that you want to be able to tell if somebody is misquoting somebody, but another reason is that you want to be able to critize the whole package---not just the main ideas, but how they sell them. (Do they rant like Hitler? Do they seduce you with nice-sounding words that lull you into not realizing how fucked up the ideas are?) Part of Lennon's package in Expelled is a certain kind of simple, sincere vulnerability. To many people that seems authentic. To a critic, it may seem naive, or like a cynical ploy to gull people who are naive. Lennon is definitely relying on the music to help convey his message---to paint a picture in which there is no religion, no possessions, etc., and life is peaceful and good. The composition and arrangement are part of the message, disambiguating the words and reinforcing the preferred interpretation. If Lennon has the right to use musical means of expression to make his message clear and compelling, then I think any "fair use" should include the right to "quote" and criticize his way of framing his message. For songs like Lennon's, that means playing the music. Lennon's musical context was important in selling his message to many millions of people. It's not like he was just a poet, or an essayist; he got his political ideas across to millions of people via his music. Conservatives know that, and have the right to criticize rock music and the Beatles and specifically Lennon for what they see as the corrupting influence of his musical propaganda. In a certain sense, I agree with the conservatives on that. The Beatle's shouldn't have been so culturally important. Their music shouldn't have lent so much power to their pronouncements about politics and religion. But it did, so it's fair game for fair use. BTW, keep in mind that intellectual law is not supposed to protect the intellectual property of artists for the artists' own sake. It's supposed to protect them to a limited extent for our sake---to encourage people to create stuff that's useful. So while I'm sympathetic to Yoko wanting the ability to "say no," and control the uses of "her property," I really don't think she should get it in general. If an artist puts a social message out there, it's more important that social critics be able to criticize that message than that the message not be used in ways the artist or heirs don't want. It would be different if somebody was using 15 seconds of Imagine in, say, a commercial for cars or tennis shoes. They'd just be trading on Lennon's music and popularity, and getting the rewards for his creativity. That would discourage people from creating stuff more than it's worth for society. This is clearly not that. It's a fight. If Expelled reduces sales of Imagine or Lennon stuff generally, it'll be mainly because they made fun of it and him, not because they just used it for free, cheapened it, and "wore it out" like a car commercial might.

Nigel D · 23 May 2008

Paul, your point is more than clear, apart from one component - how exactly is Expelled a critique of Imagine?

I agree that playing 20 seconds (or whatever) of Lennon's song for the purpose of critiquing the song is fair use. However, you have not explained how Expelled does this. Are they critiquing the song, or ar they critiquing a set of ideas? Does the song represent those ideas to the extent that it and no other song is clearly, only and always identified with those ideas?

Paul W. · 23 May 2008

I think the key thing is how one defines exactly what it is that the relevant segment of the film is critiquing. [...] I cannot go and see it [...] If it is clear that the critique is of Lennon’s thoughts pertaining specifically to Imagine, then it could be fair use. However, my understanding is that the critique is sufficiently general that it cannot genuinely be claimed to be a critique of Imagine. Since (if this is correct) the film does not specifically critique the song, then it is not fair use.
I think it's pretty clear in context. They interview PZ and say that he's not very original, he's just "taking a page from John Lennon's songbook" or something like that. Then they play the clip of Imagine juxtaposed with video of Communist stuff. They're saying pretty clearly that 1. John Lennon is wrong, and PZ is wrong, and they are wrong in the same way. 2. The stuff in Lennon's song and the interview with PZ about how life would be better without much religion is wrong. 3. The music in Lennon's song is "wrong"---it has the wrong "feel"; showing scary commie stuff while playing it shows the "real" consequences of PZ's and Lennon's ideas. I'd say that's clearly social & artistic criticism with that specific song and Lennon among the targets. Of course, it's shameless dishonest propaganda for the side that's wrong, but that doesn't make it not fair use. (In fact, that makes it even clearer that it is fair use; this is very clearly not just ripping off a song and using it for free.)
Bear in mind also that the producers sought and obtained permission to use all of the other music that is in the film - how is Imagine treated differently?
AFAIK, they were just using the other songs, not criticizing them. They should pay for those songs for the usual reasons. They also had reason to think that Yoko wouldn't license Imagine, because the movie was attacking that song. (Or that if they duped her into licensing it, she'd sue about being duped.) Better to just use it and defend it as fair use. By the way, I do think Yoko has a legitimate complaint that some viewers would think she approved the use of the song. It would be reasonable to require the movie to show a notice saying "Imagine by John Lennon used without permission under fair use" or something like that. But that's it.

zemblan · 23 May 2008

The whole movie is now missing in action. Box Office Mojo now does not include it at all on its screen count list; looks like that dashing archaeologist whipped Stein out of general release.

Here's a clue of how over it is:

http://movies.yahoo.com/showtimes/showtimes.html?z=orem%2C+ut&r=sim

Yes, in Family City USA -- Orem, Utah -- there are no screens showing "Expelled" and one screen showing "Ferris Buehler's Day Off."

That's gotta sting.

Andy G · 23 May 2008

So Paul, or any one else who wants to answer, if Ben Stein had gone over to a piano and they had used his piano version along with the images, would you call that Fair Use? If so (or not), why?

Paul W. · 23 May 2008

So Paul, or any one else who wants to answer, if Ben Stein had gone over to a piano and they had used his piano version along with the images, would you call that Fair Use? If so (or not), why?
I'm not sure what you're asking. If they use the lyrics, and attack the song as they actually did using the audio clip of Lennon, sure, I think that should be fair use. If they just used the music, maybe not, because it wouldn't be as reasonable to expect people get the joke and understand the slam against the song itself.

Stacy S. · 23 May 2008

Here's a new article on the lawsuit!

Ichthyic · 23 May 2008

To conservatives, Imagine is the atheist version of Kumbayah.

try proving that in a court of law.

Paul W. · 24 May 2008

Ichthyic said: try proving that in a court of law.
The burden of proof is on Yoko. I think the Expelled folks should win on that count. (Which is not the same thing as predicting that they will.) On the other hand, I think they should lose on the XVIVO count. That was just a ripoff.

Stacy S. · 24 May 2008

Paul W. said:
Ichthyic said: try proving that in a court of law.
The burden of proof is on Yoko. I think the Expelled folks should win on that count. (Which is not the same thing as predicting that they will.) On the other hand, I think they should lose on the XVIVO count. That was just a ripoff.
Why should Yoko Ono have to prove that 'Imagine' is the atheists version of Kumbayah? She doesn't have to prove anything like that - just that they used the song illegally. No problem there - they have admitted they didn't ask permission. Premise Media has to prove their claim that it should be fair use.

John Kwok · 24 May 2008

Stacy S. said:
Paul W. said:
Ichthyic said: try proving that in a court of law.
The burden of proof is on Yoko. I think the Expelled folks should win on that count. (Which is not the same thing as predicting that they will.) On the other hand, I think they should lose on the XVIVO count. That was just a ripoff.
Why should Yoko Ono have to prove that 'Imagine' is the atheists version of Kumbayah? She doesn't have to prove anything like that - just that they used the song illegally. No problem there - they have admitted they didn't ask permission. Premise Media has to prove their claim that it should be fair use.
Stacy, it looks as though Premise Media will have a hard time defending itself, either in the XVIVO or Ono law suits (Though there are those over at Uncommon Dissent who claim that the Stanford Law School's "Fair Use Project" will save Premise Media from the legal wrath of Ono and the brothers Lennon.). Elsewhere, Michael Shermer noted recently that he had tried to quote from a Lennon song - I believe it was also "Imagine" - had asked Ono, and she refused. So why would any thoughtful person honestly believe that Premise Media's usage of "Imagine" in "Expelled" constitutes fair use? Regards, John

Paul W. · 24 May 2008

Stacy, it looks as though Premise Media will have a hard time defending itself, either in the XVIVO or Ono law suits (Though there are those over at Uncommon Dissent who claim that the Stanford Law School’s “Fair Use Project” will save Premise Media from the legal wrath of Ono and the brothers Lennon.)
I think it's a reasonable guess that Ono will lose. I don't know if it's a good guess. I wouldn't think the Fair Use Project would have taken the case if they didn't think they had a decent chance of winning. They wouldn't want to take a hopeless case and maybe set a precedent the "wrong" way. (IIRC that was before XVIVO signed onto the case, so it likely doesn't say anything about that.)
Elsewhere, Michael Shermer noted recently that he had tried to quote from a Lennon song - I believe it was also “Imagine” - had asked Ono, and she refused. So why would any thoughtful person honestly believe that Premise Media’s usage of “Imagine” in “Expelled” constitutes fair use?
Because they have thought about what Fair Use law is about? Fair Use isn't about whether you would have gotten permission if you'd asked. It's set up so that you can use stuff it limited ways for critical and satirical purposes even if the copyright holder explicitly refuses permission. Whether it's fair use has nothing to do with whether Yoko Ono thinks it's fair. (In principle, that is. In the real world, I wouldn't like to go up against her lawyers. But then, I wouldn't want to go up against the Fair Use project, either.)

Andy G · 24 May 2008

Careful Paul: "Fair Use isn’t about whether you would have gotten permission if you’d asked. It’s set up so that you can use stuff it limited ways for critical and satirical purposes even if the copyright holder explicitly refuses permission."

Fair Use for satirical purposes is NOT written into the law:

http://www.copyright.gov/fls/fl102.html

John Kwok · 24 May 2008

Dear Paul W.:

Only a delusional IDiot like yourself would think that Ono will lose. Having read numerous opinions about this issue already, I am inclined to agree that her law suit will be a "slam dunk" against Premise Media, simply because, as Andy G has just noted, "Fair Use" does not cover satirical usage; which, exactly, is how "Imagine" is used in "Expelled".

John

Paul W. · 24 May 2008

OK, I'll grant the point about satire per se. However, this is clearly criticism---the satire is making a critical point closely related to and supportive of the theme of the movie. I am not a lawyer, and am not up on the detailed precedents, etc., and I'm not predicting which way the decision will actually go.
Only a delusional IDiot like yourself would think that Ono will lose.
Hyeesh. I'm a scientist and a hardcore atheist who has made pro-science and antireligious videos. My main interest in this is in what I can get away with in criticizing religion and antiscience crap like ID. Being able to use clips of their stuff against them without getting sued within an inch of my life would be very helpful. It would also be very helpful if an atheist organization that I helped found many years ago could financially support such things without incurring a lot of legal liability. We can spend thousands of dollars to produce some videos, but not millions to defend ourselves in court. That's why I'd prefer that fair use provisions be broad and clear---so that we know when we're within our legal rights, and can expect a judge to throw out a suit against us without our having to pay a fortune in legal fees. If you assume I'm an IDiot because I disagree with you on subtleties of a point of fair use law, you're just a regular all-lower-case idiot. I might be wrong, but I'm not religious, not an IDer, and I'm not dumb---at least not so dumb as to make an assumption like that.

PvM · 24 May 2008

The problem is that Expelled licensed most of the other songs, except for John Lennon's song. It will be hard to argue that their actions represented a valid criticism of the song. We shall see how things evolve here but copyright is there for a reason.

Paul W. · 24 May 2008

The problem is that Expelled licensed most of the other songs, except for John Lennon’s song.
I've explained already why I don't think that's a problem. Premise Media is not claiming that all uses of all songs in movies are fair use. That would be silly. They are criticizing Lennon's song, and just using the others in the usual movie soundtrack way. The fact that they respect copyright for normal purposes but assert Fair Use for Imagine makes perfect sense to me.
It will be hard to argue that their actions represented a valid criticism of the song.
I don't think it's as hard an argument as most people here seem to. I got the joke and the criticism immediately, and I'm a liberal who has actually helped organize protests where people literally held hands and sang Imagine. Premise doesn't have to show that everybody gets the criticism; they just have to make it credible that it was their intent, with reasonable expectation that a fair fraction of their target audience would "get it."
We shall see how things evolve here but copyright is there for a reason.
Yes, but evidently, most people here, and most journalists writing about this case, do not know what that reason is, and why it supports my argument. The constitution justifies intellectual property for the common good, not to defend property rights for the benefit of the owners themselves. That is why intellectual property is only a limited monopoly, to promote the creation and dissemination of ideas and expressions. When Yoko makes it sound like she's been denied a basic property right---the right to say "no" to a use of her property---she is wrong according to the constitution. Her personal interests do not matter except insofar as they promote the public good. Patent holders can't generally monopolize the uses of their inventions by refusing to license patents at "reasonable" rates, or selectively refusing to license them to people whose purposes they disapprove of. Copyright holders can't be completely arbitrary, either. The court has to weigh the costs and benefits to society in deciding the limitations on fair use. If allowing use over the owner's objections is bad for society because it has a chilling effect on artists, that's a valid consideration. If it happens too much, artists might produce less stuff on average. But just saying Imagine is hers and she should be able to say no is not a valid argument. On the other side, the court has to weigh the chilling effect, which may discourage production and disseminatation of ideas, with a chilling effect going the other way---they should grant fair use if society has an interest in the production of criticism, and the chilling effect on critical works is greater. I personally think it is. I think it's so important that ideas and expressions be open to criticism that it outweighs the problem of inihibiting the original expressions. If you put ideas out in public, you should expect them to be criticized in public. Whether the court will agree on that in constitutional terms, I don't know. They will likely decide it on narrower grounds based on precedent, but then the Fair Use Project might appeal on constitutional grounds---that may be why they volunteered to take the case, and it would be very interesting. I would not count my chickens at this point. Given the messiness of intellectual property law, anything could happen.

Rilke's Granddaughter · 24 May 2008

Paul W. said:
The problem is that Expelled licensed most of the other songs, except for John Lennon’s song.
I've explained already why I don't think that's a problem. Premise Media is not claiming that all uses of all songs in movies are fair use. That would be silly. They are criticizing Lennon's song, and just using the others in the usual movie soundtrack way. The fact that they respect copyright for normal purposes but assert Fair Use for Imagine makes perfect sense to me.
The reason I don't think this will work is that they're not explicitly commenting on the song, they are commenting (in a vague, off-hand, and incoherent fashion) on some of the sentiments that the song displays. I think they're going to lose this one.

Stacy S. · 24 May 2008

@ Paul W. - At what point do they do this? ...
They are criticizing Lennon’s song

RotundOne · 24 May 2008

But why were they so careful in getting licenses for all the other songs except this one?

RotundIOne · 24 May 2008

I think this is going to be a very big free speech case so no matter what the verdict expelled with be forever associated with the issue which is a great PR score on the producers part.

RotundIOne · 24 May 2008

Stacy S. said: @ Paul W. - At what point do they do this? ...
They are criticizing Lennon’s song
Imagine is the theme song for atheism. The movie is anti-atheism.

Rilke's Granddaughter · 24 May 2008

RotundIOne said:
Stacy S. said: @ Paul W. - At what point do they do this? ...
They are criticizing Lennon’s song
Imagine is the theme song for atheism. The movie is anti-atheism.
You need to use logic: the film may be anti-theism, but it's not anti-imagine. They aren't criticizing the song directly, that's the point. They're right and truly screwed.

Rilke's Granddaughter · 24 May 2008

RotundOne said: But why were they so careful in getting licenses for all the other songs except this one?
Based on their behavior to date, because they're simply not that bright. They've been very stupid about a great many things, and this is probably one of them.

Paul W. · 24 May 2008

They are criticizing Lennon’s song
At what point do they do this?
See my earlier comment from May 23 at 9:37, above. It's when they clearly imply that PZ is saying the same thing as Lennon, and then play Lennon singing "imagine no religion" etc., and show scary commie imagery. (IIRC, the clip includes the line "imagine no possessions"; it seems clear to me that they intend to imply that no religion goes hand in hand with no possessions and therefore atheist communism.) The point is that if you imagine no religion "realistically" (from their POV) in light of the historical evidence of the Soviet Union, etc., you'll realize Lennon is selling you a dangerous bill of goods. (And PZ too, because he's like Lennon.) They're presenting a (purported) historical counterexample to what Lennon is arguing for in the song. That's criticism. The contrast between the sound and imagery is criticism of the music, too---showing that the music Lennon chose is misleading. They're also falsely equating atheism with communism, but that doesn't invalidate their Fair Use argument, and it's part of the larger critical argument of the movie.

RotundIOne · 24 May 2008

You think it is completely illogical to defend the use of the song as fair use?

PvM · 24 May 2008

Worse of course is that the movie is not about atheism as much as it is about science expelling people...

Rilke's Granddaughter · 24 May 2008

RotundIOne said: You think it is completely illogical to defend the use of the song as fair use?
No, your logic as to why it should be considered fair use is faulty. Fair use says you can satirize or criticize the song; you're claiming that the song is associated with something else that is being criticized: criticism through indirect association. Doesn't wash.

Stacy S. · 24 May 2008

Rilke's Granddaughter said:
RotundIOne said: You think it is completely illogical to defend the use of the song as fair use?
No, your logic as to why it should be considered fair use is faulty. Fair use says you can satirize or criticize the song; you're claiming that the song is associated with something else that is being criticized: criticism through indirect association. Doesn't wash.
Exactly! "That was a bad note ... they shouldn't have used that note" - would be a criticism of the song. - They simply are not criticizing the song. They are trying to USE the song in it's present form as an argument for the movie.

RotundOne · 24 May 2008

Stacy S. said:
Rilke's Granddaughter said:
RotundIOne said: You think it is completely illogical to defend the use of the song as fair use?
No, your logic as to why it should be considered fair use is faulty. Fair use says you can satirize or criticize the song; you're claiming that the song is associated with something else that is being criticized: criticism through indirect association. Doesn't wash.
Exactly! "That was a bad note ... they shouldn't have used that note" - would be a criticism of the song. - They simply are not criticizing the song. They are trying to USE the song in it's present form as an argument for the movie.
But they are critizing the lyrics. I think the beatles songs should be public domain. They have been around long enough and enough money was made on them. The results should be interesting.

PvM · 24 May 2008

But they are critizing the lyrics. I think the beatles songs should be public domain. They have been around long enough and enough money was made on them.
That is no valid standard really.

Stacy S. · 24 May 2008

RotundOne said: But they are criticizing the lyrics. I think the beatles songs should be public domain. They have been around long enough and enough money was made on them.
Their lawyer said they were criticizing the "emotion" that people felt when they heard the song...
" Lennon’s performance, said Falzone, triggers a specific emotional response in the viewer’s mind — i.e. “Maybe Lennon’s right; maybe the world would be better off without religion” — and it’s that response that the film, and its use of “Imagine,” seeks to criticize."

bigbang · 24 May 2008

John Kwok says to Paul: “Only a delusional IDiot like yourself would think that Ono will lose.”

.

And Paul responded: “If you assume I’m an IDiot because I disagree with you on subtleties of a point of fair use law, you’re just a regular all-lower-case idiot.”

.

I tend to agree with Paul assessment regarding Kwok. But in Kwok’s defense, many here seem to be of a similar neo-Darwinian and somewhat paranoid mindset and groupthink; and perhaps Kwok’s behavior here will help others see their own lack of objectivity, discernment, rigor. BTW, in the contest between Yoko and Stein, I’d bet my left testicle that Yoko loses.

Rilke's Granddaughter · 24 May 2008

bigbang said: John Kwok says to Paul: “Only a delusional IDiot like yourself would think that Ono will lose.” . And Paul responded: “If you assume I’m an IDiot because I disagree with you on subtleties of a point of fair use law, you’re just a regular all-lower-case idiot.” . I tend to agree with Paul assessment regarding Kwok. But in Kwok’s defense, many here seem to be of a similar neo-Darwinian and somewhat paranoid mindset and groupthink; and perhaps Kwok’s behavior here will help others see their own lack of objectivity, discernment, rigor. BTW, in the contest between Yoko and Stein, I’d bet my left testicle that Yoko loses.
Apparently you don't know any lawyers. What a pity you're going to miss out on that whole child-thing. The odds are NOT in Expelled's favor - this looks like a pretty clear violation of fair use. And your own 'rigor' isn't much to write home about, so you might consider that, Mr. Pot.

Rilke's Granddaughter · 24 May 2008

And quite frankly, the various delusional, closed-minded, and ignorant folks here are almost invariably creationists. Odd, that.

PvM · 24 May 2008

Another foolish bet.
bigbang said: BTW, in the contest between Yoko and Stein, I’d bet my left testicle that Yoko loses.

Andy G · 24 May 2008

"But they are critizing the lyrics."

That's as may be, but it's no excuse for denying the composer his or her rights to the music s/he wrote, which are also protected by law. A fair use ruling in this case MUST address, by the letter of the law, a valid Fair Use of the music. So far y'all have made some good arguments for use of the lyrics as being criticism, but as far as the music? I'm not convinced.

The defending lawyer said “Lennon’s performance ... triggers a specific emotional response in the viewer’s mind ... it’s that response that the film, and its use of “Imagine,” seeks to criticize.” Pretty scary for this guy to dare to suggest that every single person is going to have the same exact emotional response, but that's beside my point here. My point is that criticism of the emotional response to a song is not criticism of the song. Paul W. (somewhere above) posited "The music in Lennon’s song is “wrong”—it has the wrong “feel”. Aside from the fact that music can neither be "right" nor "wrong" except in one's opinion (and judges tend to rule based on facts, not opinions), any criticism that the "feel" is wrong is also not criticism of the song itself.

In order to be Fair Use for purposes of criticism or commentary (what the filmmakers are claiming in this case), they must prove that they commented on or criticized the music itself which they clearly did not (If perhaps the filmmaker's had actually gone into an analysis of why the musical elements combined to make the feel "wrong" in relationship to the lyrics, I might actually buy the argument. But they did not.) They did not, in any way shape or form, criticise or comment on the music. Hence, no Fair Use for use of the MUSIC.

Really people, if the judge rules in favor of Yoko Ono in this case, in what way will it affect YOUR Freedom of Speech rights? It won't at all. This case will not overturn anything existing in Fair Use law - it will still be there to protect you and your rights.

RotundOne · 25 May 2008

they must prove that they commented on or criticized the music itself.
I do not think that is true. Is there a source where the law says this?. They are using the song as an example of an popular atheist world view.

RotundOne · 25 May 2008

bigbang said: Imagine no possessions; I wonder if you can; No need for greed or hunger; A brotherhood of man; Imagine all the people; Sharing all the world. . Imagine Yoko suing Ben Stein; I'm certain that you can; Unfair use of her possessions; She doesn’t care to share; The irony escapes her; Yoko doesn't like to share.
I am wondering if Stein after being denied permission purposefully continued to use the song. This is going to be a great showdown on free speech and the values of atheism. This song is one of the most hypocritical works around. The video for it is astounding: it is in a white luxurious palace room, while Lennon preaches vows of poverty. Yoko was one of the most vicious business people around. And she did destroy Lennon. And maybe the Beatles. She also will benefit financially from this dispute. The buzz about the expelled movie will far out last the movie itself. Stein really played this right. He is bringing the culture wars to a central battleground. And having your opposition represented by Yoko is just a best case scenario.

RotundOne · 25 May 2008

Paul W. said: OK, I'll grant the point about satire per se. However, this is clearly criticism---the satire is making a critical point closely related to and supportive of the theme of the movie. I am not a lawyer, and am not up on the detailed precedents, etc., and I'm not predicting which way the decision will actually go.
Only a delusional IDiot like yourself would think that Ono will lose.
Hyeesh. I'm a scientist and a hardcore atheist who has made pro-science and antireligious videos. My main interest in this is in what I can get away with in criticizing religion and antiscience crap like ID. Being able to use clips of their stuff against them without getting sued within an inch of my life would be very helpful. It would also be very helpful if an atheist organization that I helped found many years ago could financially support such things without incurring a lot of legal liability. We can spend thousands of dollars to produce some videos, but not millions to defend ourselves in court. That's why I'd prefer that fair use provisions be broad and clear---so that we know when we're within our legal rights, and can expect a judge to throw out a suit against us without our having to pay a fortune in legal fees. If you assume I'm an IDiot because I disagree with you on subtleties of a point of fair use law, you're just a regular all-lower-case idiot. I might be wrong, but I'm not religious, not an IDer, and I'm not dumb---at least not so dumb as to make an assumption like that.
Yes this above is actually proving Stein's point. See even when make a point favorable to the ID side based on your unbiased interpretation of law you are called an IDiot. If you are not complete in lockstep you are an 'IDiot'. This is what is scary about the anti-ID movement. I think this is why Stein brings up the Nazi's: this constant use of the word IDiot is so reminiscent of some sort of SS goon.

Stacy S. · 25 May 2008

Boy-the trolls sure do come out "all fired up" after a good sermon on Sunday morning, don't they?

Andy G · 25 May 2008

RotundOne replyed to my : “they must prove that they commented on or criticized the music itself.”

with

“I do not think that is true. Is there a source where the law says this?. They are using the song as an example of an popular atheist world view.”

The latter first: My contention is that they are not using THE SONG as an example, they are using THE LYRICS OF THE SONG as some sort of example. They have provided no good evidence that the use of the MUSIC is a Fair Use under law.

So, as to the former: It’s a fair question. Here’s the Fair Use law

http://www.copyright.gov/title17/92chap1.html#107

“… the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.”

The defending lawyers have already said that they are claiming this is fair use for the purposes of criticism and comment (quite rightly, because the other reasons clearly cannot apply).

What they “used” was a recording of the song “Imagine”, which contained both the words and the music. Anytime a song is copyrighted, there is always a copyright for the writer of the lyrics and one for the composer, the person who wrote the music. In this case, John Lennon happens to have written both.

If the producers of Expelled had used “My Favorite Things” from “The Sound of Music”, they’d have the film company suing them for copyright infringement for use the the exact recording they used without permission, Oscar Hammerstein III’s heirs suing for copyright infringement for the use of the lyrics without permission, and the heirs of Richard Rodgers suing for copyright infringement for use of the music without permission.

See how that works?

So, if the lawyers are saying that the use of the song is fair but are only saying it’s fair because of the use of the lyrics, in my hypothetical case above, Richard Rodger’s rights have been well and royally screwed. So if the use of the MUSIC is to be considered fair use on the basis of comment and criticism, then, yes, I am correct – they need to prove they commented on and/or criticized the music.

And of course, as confused as people are already about what is and what is not Fair Use, we don’t need judges making rulings one way if the songwriter wrote both words and music but a different way if the lyrics were by one person and the music by a another person.

Paul W. · 25 May 2008

See even when make a point favorable to the ID side based on your unbiased interpretation of law you are called an IDiot. If you are not complete in lockstep you are an ‘IDiot’. This is what is scary about the anti-ID movement. I think this is why Stein brings up the Nazi’s: this constant use of the word IDiot is so reminiscent of some sort of SS goon.
Jesus. You really are an idiot. Somebody calls you an insulting name on an internet forum where you're free to say whatever stupid shit you believe, and that's Nazism? You know, there's about 100 million people in this country who literally believe that a few million people like me will be tortured forever---each and every one of us suffering more than all the Jews in the Holocaust put together. And they think it's right, and worship their fearless Leader who will enforce such justice. And those evil lunatics dare to call the minority they endorse the torture ofNazis because their dumbass ideas don't survive scientific scrutiny? Compare the comment moderation and banning policies at places like PT and Pharyngula to those at places like Uncommon Descent. See who gets systematically expelled for politely voicing a comment that goes against the local consensus. If you voice your opinion on the internet, expect to get disagreed with, sometimes unfairly. If you can, smack the person down for their unfairness. But stop this utter bullshit of calling the kettle black when you're zero percent reflective.

PvM · 25 May 2008

Cleanup cycle initiated.

Paul W. · 25 May 2008

Expelled lost more than half its remaining theaters going into this weekend, down to 83, but is still losing per-screen revenues and it's estimated to do about $30K for the whole weekend, across the country.

http://www.boxofficemojo.com/movies/?page=weekend&id=expelled.htm

Cumulative gross is still under $7.6 M. If it the gross keeps dropping by two thirds or more... well, somebody else can do the math if they want, but it's not going to get to $7.7M and is pretty well dead in the water.

PvM · 25 May 2008

He is bringing the culture wars to a central battleground. And having your opposition represented by Yoko is just a best case scenario.
Why? A best case scenario that can get to sue you for up to three times the revenues seems a bit self destructive.

Science Avenger · 25 May 2008

RotundOne said: The buzz about the expelled movie will far out last the movie itself.
Wow, so the buzz will last 10 weeks, maybe 15. How pitiful the ID movement has become that this would be considered a success. Expelled is a flop of monumental proportions, beyond even my wildest dreams. It will be gone and forgotten before the next president is sworn in.

Andy G · 25 May 2008

"Expelled is a flop of monumental proportions, beyond even my wildest dreams. It will be gone and forgotten before the next president is sworn in."

We can only hope, Avenger. While I personally do not like the message of the film, and I do not find their tactics honest, I still do believe they have the right to air, show, give away for free, whatever, their movie. But the version without "Imagine" in it.

What I really detest though was one line of reasoning the defending attorney Falzone was using to try to convince the judge that to issue a full injunction on the film until the offending use was removed would be unfair: One claim he made was that an injunction would cause his client to miss their planned October 2008 DVD release which they needed to do in order to correspond with the Presidential election cycle. Yes, they actually all but came out and said "Hey judge, you HAVE TO call this Fair Use or my clients lose their rights to influence American elections". Pretty astounding.

Oh heck, I can't find the link to the web site where I read this. I'm not at my regular computer. I shall post link when I find it.

Happy Memorial Day everyone!

Andy G · 26 May 2008

Link for the above:

http://www.silive.com/newsflash/metro/index.ssf?/base/news-34/1211330049252130.xml&storylist=simetro

Robin · 27 May 2008

Stacy S. said: @ Paul W. - At what point do they do this? ...
They are criticizing Lennon’s song
I have to agree with you Stacy. I think Premise Media is criticizing Lennon and his particular thinking, not the song itself. That's the real issue here. The fact is, you can parody an artist's work and use the work to comment on the work, but if the work reflects the artist's beliefs AND a general set of beliefs, I really don't think you can use the work as commentary on those general beliefs under Fair Use. Keep in mind, the song Imagine IS NOT about a just imagining a world with no religion. It's a song about peace. It's actually a parallel with Martin Luthur King Jr's I Have a Dream speech. So to take a snip from it and commenting on a belief in a world with no religion is really not a Fair Use issue.

Andy G · 27 May 2008

Hey y'all,

You might get a kick out of this one:

http://cnews.canoe.ca/CNEWS/WeirdNews/2008/05/27/5681551-ap.html

I don't think that's going to help Premise Media with the trademark case...

D P Robin · 29 May 2008

Paul W. said: Expelled lost more than half its remaining theaters going into this weekend, down to 83, but is still losing per-screen revenues and it's estimated to do about $30K for the whole weekend, across the country. http://www.boxofficemojo.com/movies/?page=weekend&id=expelled.htm Cumulative gross is still under $7.6 M. If it the gross keeps dropping by two thirds or more... well, somebody else can do the math if they want, but it's not going to get to $7.7M and is pretty well dead in the water.
I've got to chortle at how far off the producers' hopes missed reality. If they thought they'd get $12-$15M on the first weekend, I wonder what they thought it would be by now? I figure at least $20M. The only downside is that their studio will doubtless go "bankrupt" and "disappear" after the they lose the suits and XVIVO and Ono won't get any monitary compensation. Personally, I'll settle for them getting the control of the film itself and Expelled never seeing the light of day again. dpr

Nigel D · 29 May 2008

Paul W. said:
I think the key thing is how one defines exactly what it is that the relevant segment of the film is critiquing. [...] I cannot go and see it [...] If it is clear that the critique is of Lennon’s thoughts pertaining specifically to Imagine, then it could be fair use. However, my understanding is that the critique is sufficiently general that it cannot genuinely be claimed to be a critique of Imagine. Since (if this is correct) the film does not specifically critique the song, then it is not fair use.
I think it's pretty clear in context.
But if they rely on the context to imply a critique of Lennon's ideas while they play his song, then it isn't really a critique of the song, is it?
They interview PZ and say that he's not very original, he's just "taking a page from John Lennon's songbook" or something like that. Then they play the clip of Imagine juxtaposed with video of Communist stuff. They're saying pretty clearly that
No. They are not saying anything clearly, other than they believe that PZ is copying John Lennon in some fashion. They are implying a whole host of other things, but implications, by their nature, are not always clear.
1. John Lennon is wrong, and PZ is wrong, and they are wrong in the same way.
Not so. This is what you are inferring, based on quite a bit of extraneous knowledge of the circumstances under which Expelled was made. All they say is that PZ is copying Lennon in some fashion.
2. The stuff in Lennon's song and the interview with PZ about how life would be better without much religion is wrong. 3. The music in Lennon's song is "wrong"---it has the wrong "feel"; showing scary commie stuff while playing it shows the "real" consequences of PZ's and Lennon's ideas.
Same as above. These are all conclusions that you have inferred (and possibly it was the intent of the film-makers that the audience should infer this), but it is not what they actually say.
I'd say that's clearly social & artistic criticism with that specific song and Lennon among the targets.
And I say it ain't clear at all. They are certainly criticising a set of ideas. What is not clear is how their critique of ideas that may or may not have inspired Imagine constitutes a critique of Imagine as a piece of art or social commentary. To use a parallel to your reasoning here, I could assemble a generic critique of sports personalities' biographies and this would allow me to reproduce chunks of (say) Michael Schumacher's biography without my ever needing to make a specific reference to or criticism of Schumacher's biography. In your reasoning, the juxtaposition is sufficient to constitute fair use. I say it ain't. If the makers of Expelled want to claim "fair use" under the banner of criticising Imagine, they they should have made at least one specific criticism of Imagine, not merely juxtaposed it with a criticism of atheism in general.
Of course, it's shameless dishonest propaganda for the side that's wrong, but that doesn't make it not fair use. (In fact, that makes it even clearer that it is fair use; this is very clearly not just ripping off a song and using it for free.)
I agree that the fact that Expelled is shamelessly dishonest propaganda does not make their use of Imagine unjustified. Instead, the fact that they make no specific criticism of Imagine makes their use of Lennon's song unjustified.
Bear in mind also that the producers sought and obtained permission to use all of the other music that is in the film - how is Imagine treated differently?
AFAIK, they were just using the other songs, not criticizing them. They should pay for those songs for the usual reasons. They also had reason to think that Yoko wouldn't license Imagine, because the movie was attacking that song. (Or that if they duped her into licensing it, she'd sue about being duped.) Better to just use it and defend it as fair use. By the way, I do think Yoko has a legitimate complaint that some viewers would think she approved the use of the song. It would be reasonable to require the movie to show a notice saying "Imagine by John Lennon used without permission under fair use" or something like that. But that's it.
But I think that Yoko Ono does have a genuine complaint. I do not believe that relying on the juxtaposition of the song to a generic criticism of some of the ideas it contains constitutes a criticism of the song. And therefore it is not fair use. And, therefore, they have violated copyright.

Andy G · 29 May 2008

dpr wrote: "The only downside is that their studio will doubtless go “bankrupt” and “disappear” after the they lose the suits and XVIVO and Ono won’t get any monitary compensation. Personally, I’ll settle for them getting the control of the film itself and Expelled never seeing the light of day again."

I'm not sure where the XVIVO suit went - anyone know? But I know and am grateful that Yoko Ono has enough money not to worry about not getting the exact $ damages she seeks. I have no doubt she sued on principal, not for money (but, you have to hit 'em in the pocketbook or they - and others - will pull the same tricks again).

I'm pretty sure Expelled will see the light of day again, but that's OK - that will prove the point that, while admittedly some people do not like the message, the filmmakers do have the right to spread that message - they just need to use legal means to do so.

Tangent Alert!

Just as a "moral dilemna" aside; WWJD if He ordered a DVD of Expelled after an injunction had been ordered and He received a copy that still had "Imagine" in it. Not supposed to distribute that copy? Hmmmm ...

That's why it's better the Plaintiffs get their hands on all the current copies that aren't supposed to be sold. It would be a shame if some innocent church pastor accidently showed a copy of something the production company was not supposed to sell in the first place.

Paul W. · 2 June 2008

I do not believe that relying on the juxtaposition of the song to a generic criticism of some of the ideas it contains constitutes a criticism of the song. And therefore it is not fair use.
I think it's obviously a criticism of the song. They explicitly compare it to P.Z.'s comments, which are the obvious focus of criticism, and they contrast the "positive" feel of the song with the "negative" feel of the images they display. (A pleasant song saying "imagine no religion" and "imagine no possessions," vs. unpleasant Communist imagery.) I find it hard to believe that anybody here can actually miss that. And of course the music matters---the music is what helps make the song emotionally positive about the ideas, and that's what makes the contrast with negative images especially effective. BTW, it appears that the judge is leaning toward agreeing with me, and likely disagreeing with the folks here who say it's obviously not fair use. http://lessig.org/blog/2008/06/a_nice_welcome_home_present_or.html I told you so. (Even if Ono ultimately wins, it's pretty obvious that the judge doesn't think it's a clear-cut case of copyright infringement, or likely a big deal.)

Paul W. · 2 June 2008

It appears that the judge went beyond denying an injunction and issued a finding of fact that the use of Imagine is fair use. She might appeal, but Yoko lost.

Here's the judge's decision, which says the same kinds of things I said above, citing precedents etc. See especially the discussion of "transformative use" starting around page 15.

http://acandidworld.files.wordpress.com/2008/06/08-02066.pdf

D P Robin · 3 June 2008

Paul W. said: It appears that the judge went beyond denying an injunction and issued a finding of fact that the use of Imagine is fair use. She might appeal, but Yoko lost. Here's the judge's decision, which says the same kinds of things I said above, citing precedents etc. See especially the discussion of "transformative use" starting around page 15. http://acandidworld.files.wordpress.com/2008/06/08-02066.pdf
Unfortunate, but then Expelled has now hit the Dollar cinema theaters hereabouts (and likely overpriced at that). IDC's "Great White Hope" is dying out with a whimper and will be no factor in the general election. dpr

colomba · 4 July 2008

Just a quick comment about some biologists "making money off evolution".

Francisco Ayala certainly does not need that. He was married to Sheraton heiress Mitzi Henderson for years (she went on to re-marry chicken magnate Frank Perdue). How anyone can think that selling books on evolution can buy acres and acres of vinyards is beyond me...